Unfortunately musical journalism did not begin in England until the
beginning of the last century, so there is no possibility of gauging
Hallet’s capacities in this manner, but, doubtless, his benefit concert
met with a large measure of support and success, for the following
programme given in _The General Advertiser_ for 6th February 1752, is
of an attractive character:--
At the particular desire of Several Persons
of Quality
For the Benefit of BENJAMIN HALLET
A child of Nine Years of Age
At the New Theatre in the Hay-market
This day will be exhibited a Grand Concert of
MUSICK
By Gentlemen mask’d after the Manner of the
Grecian and Roman Comedy. Boxes 5s. Pit 3s.
At the same time will be performed
THE OLD WOMAN’S ORATORY
To be concluded by Mrs Mary Midnight and
her family.
To be divided into Three Acts.
Act the first will contain
1. A grand Piece with Kettle-Drums and Trumpets. 2. Solo on
the Violoncello by Cupid. 3. The Inauguration speech by Mrs
Mary Midnight. 4. Concerto for two Clarinettes. 5. Mr Handel’s
Waterpiece, with a Preamble on the Kettle-Drums.
Act the Second
1. A full piece. 2. A piece by Signor Bombasto. 3. The Speech of
Mrs Midnight in Defence of her Existence. 4. Solo on the Cymbalo.
5. Overture in Otho. 6. An Oration on the Salt-Box by a Rationalist.
Act the Third
1. An Italian Song by Signor Bombazeno. 2. A new dissertation by
Mrs Midnight. 3. A French Horn Concerto. 4. A Declamatory Piece on
the Jew’s Harp by a Casuist. 5. March in Judas Maccabeus, with the
Side-Drum.
With a new occasional Prologue written by a gentleman of the
University and an Epilogue to be spoken by Master Hallet in the
character of Cupid.
The Doors to be opened at Six o’clock; and the Concert to begin
exactly at Seven.
The House will be made very warm, and illuminated with Wax Lights.
Then follows the same remark about Benjamin Hallet’s capabilities which
we have already quoted from _The Old Woman’s Magazine_, ending with the
announcement that tickets could be had of Mr Hallet, in Exeter Court,
near Exeter Exchange, in the Strand.
Public-domain text, read in full here on John Shaqi.
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