The abrupt ending of a more than ordinary _affaire de coeur_ with
a married man, “a Person of Distinction” brought the climax. Ann
Ford decided to fly in the teeth of her parent’s displeasure. She
would give a series of Subscription Concerts at the Little Theatre
in the Haymarket. In vain did the father forbid the whole thing, and
finally resorting to threats, the daughter flew from the paternal
roof to the house of a friend. Immediately Ford _père_ procured a
magistrate’s warrant wherewith he secured the person of his wayward
child and brought her home. But neither warrants, nor lock and key,
could deter Ann Ford from her purpose, and she managed to elude her
father’s vigilance and escape again. The sensationalism caused by these
incidents brought friends old and new thronging round the distressed
lady. The heart of aristocracy was touched, and the first of Ann
Ford’s series of subscription concerts on the 18th March 1760 furnished
her with £1,500. Still her troubles were not at an end, for her father,
on the night of the concert, employed a number of ruffians to surround
the theatre and these were only dispersed by Lord Sackville’s threats
to send for a detachment of the Guards.
The programme of this first concert was included in the following
advertisement which appeared in _The Public Advertiser_ on the 17th
March 1760:--
MISS FORD’S FIRST SUBSCRIPTION CONCERT
will be to-morrow the 18th instant at the Little Theatre in the
Haymarket. As the Pit, Boxes, and Gallery are the same Price, the
latter will be equally illuminated with wax-candles.
First Part. Overture of Pasquali: Song by Miss Ford, Voi Legete;
Concerto Hautboy, Mr Simpson; Song, Miss Ford, Gentle Youth, etc.;
Solo, Miss Ford, on the Viol di Gamba.
Second Part. Concerto Bassoon, Mr Miller; Song, Miss Ford, Sparge
Amar; Solo Violin, Mr Pinto, Song, Return O God of Host, Full piece
of French Horns.
Tickets at half-a-guinea each, to be had at the Theatre; at Mr
Deard’s; at Mr Garden’s in St Paul’s Church Yard; and at Mr Walsh’s
in Catherine-Street. No Persons to be admitted behind the Scenes.
To begin at Seven o’Clock.
No more tickets will be delivered than the house will contain.
The second concert took place on the 25th of March, when she is
announced to take the “Vocal Parts” and play “a solo on the Viol di
Gambo” as well as “a Concerto on the Guittar.”
Money being plentiful, the announcement of Ann Ford’s third concert
on the 7th April is more lavishly displayed, the solo on the “Viol
di Gambo” being, in particular, inserted in large type as a special
attraction. For Monday, the 14th April, she requisitioned the services
of three other artists. The programme for this concert appears in _The
Public Advertiser_ of Friday, 11th April 1760, in the following order:--
MISS FORD’S FOURTH SUBSCRIPTION CONCERT
will be on _Monday_ the 14th instant, at the Little Theatre in the
Haymarket.
Public-domain text, read in full here on John Shaqi.
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