Chaucer's Works, Volume 3 — The House of Fame; The Legend of Good Women; The Treatise on the Astrolabe; The Sources of the Canterbury TalesChaucer, Geoffrey
General
Chaucer's Works, Volume 3 — The House of Fame; The Legend of Good Women; The Treatise on the Astrolabe; The Sources of the Canterbury Tales
Chaucer, Geoffrey
English poetry -- Middle English, 1100-1500
As Chaucer had here nothing to guide him to the gender of _Marsia_, he
guessed the name to be feminine, from its termination; and Dante actually
has _Marzia_ (Inf. iv. 128), with reference to _Marcia_, wife of Cato. But
Dante's _Marsia_ represents the accus. case of Marsyas, or else the Lat.
nom. _Marsya_, which also occurs. Ovid, Met. vi. 400, has '_Marsya_ nomen
habet,' and tells the story. Apollo defeated the satyr Marsyas in a trial
of musical skill, and afterwards flayed him alive; so that he 'lost his
skin.'
1231. _Envyën_ (accent on _y_), vie with, challenge (at a sport). So strong
is the accent on the _y_, that the word has been reduced in E. to the
clipped form '_vie_; see _Vie_ in my Etym. Dict. It represents Lat.
_inuitare_, to challenge; and has nothing to do with E. _envy_. Florio's
Ital. Dict. has: '_Inuito_, a vie at play, a vie at any game; also an
inuiting.'
1234. 'Pipers of every Dutch (German) tongue.'
1236. _Reyes_, round dances, dances in a ring. The term is Dutch. Hexham's
Du. Dict. (1658), has: _een Rey_, or _een Reye_, a Daunce, or a round
Daunce'; and '_reyen_, to Daunce, or to lead a Daunce.' Cf. G. _Reihen_, a
dance, _Reihentanz_, a circular dance; M.H.G. _reie_, _reige_; which does
not seem to be connected, as might be thought, with G. _Reihe_, a row; see
Kluge and Weigand. Perhaps the Du. word was borrowed from O.F. _rei_,
_roi_, order, whence also the syllable _-ray_ in E. _ar-ray_; and the G.
word may have been borrowed from the Dutch; but this is a guess. 'I can
daunce the raye'; Barclay's First Egloge, sig. A ii. ed. 1570; quoted in
Dyce's Skelton, ii. 194.
1239. Understand _Somme_, some; see note to l. 1197. The expression _blody
soun_ recurs in Kn. Tale, A 2512, in connection with _trumpe_ and
_clarioun_. Our author explains his meaning here; ll. 1241-2.
1243. _Missenus_, Misenus, son of Æolus, trumpeter to Hector, and
subsequently to Æneas; Verg. Æn. iii. 239; vi. 162-170.
1245. _Joab_ and _Theodomas_ are again mentioned together in a like passage
in the Merch. Tale (C. T., E 1719). 'Joab blew a trumpet'; 2 Sam. ii. 28;
xviii. 16; xx. 22. Theodomas is said by Chaucer (Merch. Tale) to have blown
a trumpet 'At Thebes, when the citee was in doute.' He was therefore a
trumpeter mentioned in some legendary history of Thebes. With this hint, it
is easy to identify him with Thiodamas, mentioned in books viii. and x. of
the Thebaid of Statius. He succeeded Amphiaraus as augur, and furiously
excited the besiegers to attack Thebes. His invocation was succeeded by a
great sound of trumpets (Theb. viii. 343), to which Chaucer here refers.
But Statius does not expressly say that Thiodamas blew a trumpet himself.
Public-domain text, read in full here on John Shaqi.
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