Chaucer's Works, Volume 3 — The House of Fame; The Legend of Good Women; The Treatise on the Astrolabe; The Sources of the Canterbury TalesChaucer, Geoffrey
General
Chaucer's Works, Volume 3 — The House of Fame; The Legend of Good Women; The Treatise on the Astrolabe; The Sources of the Canterbury Tales
Chaucer, Geoffrey
English poetry -- Middle English, 1100-1500
384. _Al_, although. 'Although he will preserve their rank for his lords.'
Note that _his lordes_ is in the dative case. It was probably from not
observing this that Thynne's edition and the Pepys MS. have needlessly
inserted the word _in_ before _hir_. Cf. A. 370.
387. _Half-goddes_, demi-gods. Cf. 'the demi-god Authority'; Meas. for
Meas. i. 2. 124.
391. So, in his Epitaph on Inigo Jones, Ben Jonson says:--'The Libyan lion
hunts no butterflies'; which he took from Martial, Epig. xii. 61. 6. And
see Pliny, Nat. Hist. viii. 16.
397. _Areste._ Bell seems to suggest the sense of 'restraint,' and Prof.
Corson, following him, suggests 'self-command'; but such a sense does not
exactly appear in Murray's Dictionary. Nevertheless, 'self-restraint' suits
not only this passage, but also the passage cited from the Harleian MS. in
the foot-note to the Somnour's Tale, D 2048, in vol. iv. p. 381.
399. Here, as in l. 375, _reward_ means 'regard,' and is accented on the
_e_.
400. _Maystrie_, masterly act; _no maystrie_, an easy matter.
405. This is not altogether a metaphorical expression. We remember
something very like it at the siege of Calais in 1347, when, according to
Froissart, Edward III. sent for the six inhabitants of Calais, who were to
present themselves 'with bare heads and feet, with ropes round their
necks'; see Froissart, tr. by Johnes, bk. i. c. 145.
415. In the earlier text (A 403), the word _He_ stands alone in the first
foot, which is less pleasing.
417. See Introd. to the Minor Poems (in vol. i.) for a discussion of some
of the poems here mentioned. He here mentions, first of all, three of his
lesser poems, in the order of their length; viz. the Hous of Fame, the
Deeth of Blaunche, and the Parlement of Foules.
420. The 'Palamoun and Arcyte' here referred to was no doubt a translation
of Boccaccio's Teseide, or of selections from it, in seven-line stanzas.
Though not preserved to us in its entirety, several fragments of it remain.
These are to be found (1) in sixteen stanzas of the Parl. of Foules (ll.
183-294), translated from the Teseide, bk. vii. st. 51-66; (2) in part of
the first ten stanzas of Anelida, from the same, bk. i. st. 1-3, and bk.
ii. st. 10-12; (3) in three stanzas near the end of Troilus (viz. st. 7, 8,
and 9 from the end), from the same, xi. 1-3; and (4) in a re-written form,
in what is now known as the Knightes Tale. See Notes to Anelida, in vol. i.
pp. 529, 530.
421. 'Though the story is little known.' Tyrwhitt remarks that these words
'seem to imply that it [Chaucer's original version of Palamon and Arcite]
had not made itself very popular.' Unfortunately, Tyrwhitt, who so very
seldom goes astray, has here misled nearly all who have consulted him.
Chaucer is not referring to his own version of the story, nor even to
Boccaccio's version, but to the old story _itself_; and he is merely
repeating Boccaccio's own remark, when (in the Teseide, i. 2) he speaks of
it as
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