Chaucer's Works, Volume 5 — Notes to the Canterbury TalesChaucer, Geoffrey
General
Chaucer's Works, Volume 5 — Notes to the Canterbury Tales
Chaucer, Geoffrey
Chaucer, Geoffrey, -1400. Canterbury tales -- Criticism, interpretation, etc.
Gower gives the names of Icilius, to whom Virginia was betrothed, and of
Marcus Claudius. But Chaucer omits the name Marcus, and ignores the
existence of Icilius. The French text does the same.
11. This is the 'noble goddesse Nature' mentioned in the Parl. of Foules,
ll. 368, 379. Cf. note to l. 16.
14. _Pigmalion_, Pygmalion; alluding to Ovid, Met. x. 247, where it is said
of him:--
'Interea niueum mira feliciter arte
Sculpit ebur, formamque dedit, qua femina nasci
Nulla potest; operisque sui concepit amorem.'
[261]
In the margin of E. Hn. is the note--'Quere in Methamorphosios'; which
supplies the reference; but cf. note to l. 16 below, shewing that Chaucer
also had in his mind Le Roman de la Rose, l. 16379. So also the author of
the Pearl, l. 750; see Morris, Allit. Poems.
16. In the margin of E. Hn. we find the note:--'Apelles fecit mirabile opus
in tumulo Darii; vide in Alexandri libro .1.º [Hn. _has_ .6.º]; de Zanze in
libro Tullii.' This note is doubtless the poet's own; see further, as to
Apelles, in the note to D. 498.
_Zanzis_, Zeuxis. The corruption of the name was easy, owing to the
confusion in MSS. between _n_ and _u_.[26] In the note above, we are
referred to Tullius, i. e. Cicero. Dr. Reid kindly tells me that Zeuxis is
mentioned, with Apelles, in Cicero's De Oratore, iii. § 26, and Brutus, §
70; also, with other artists, in Academia, ii. § 146; De Finibus, ii. §
115; and alone, in De Inventione, ii. § 52, where a long story is told of
him. Cf. note to Troil. iv. 414.
However, the fact is that Chaucer really derived his knowledge of Zeuxis
from Le Roman de la Rose (ed. Méon, l. 16387); for comparison with the
context of that line shews numerous points of resemblance to the present
passage in our author. Jean de Meun is there speaking of Nature, and of the
inability of artists to vie with her, which is precisely Chaucer's argument
here. The passage is too long for quotation, but I may cite such lines as
these:--
'Ne _Pymalion_ entaillier' (l. 16379),
'voire _Apelles_
Que ge moult bon paintre appelles,
Biautés de li james descrive
Ne porroit,' &c. (l. 16381).
'_Zeuxis_ neis par son biau paindre
Ne porroit a tel forme ataindre,' &c. (l. 16387).
Si cum _Tules_ le nous remembre
Ou livre _de sa retorique_'; (l. 16398).
Here the reference is to the passage in De Oratore, iii. § 26.
'Mes ci ne péust-il riens faire
_Zeuxis_, tant séust bien portraire,
Ne colorer sa portraiture,
Tant est de grant biauté _Nature_.' (l. 16401).
A little further on, Nature is made to say (l. 16970):--
'Cis Diex méismes, par sa grace,...
Tant m'ennora, tant me tint chere,
Qu'il m'establi sa chamberiere ...
Por chamberiere! certes vaire,
Por connestable, et por _vicaire_.'
[262]
20. See just above; and cf. Parl. of Foules, 379--'Nature, the _vicaire_ of
thalmighty lord.'
32-4. Cf. Le Rom. de la Rose, 16443-6.
Public-domain text, read in full here on John Shaqi.
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