§ 71. The sole MS. copy of The Court of Love belongs to the sixteenth century, and there is nothing to shew that the poem itself was of earlier date. Indeed, the language of it is remarkably like that of the former half of that century. If it be compared with Sackville's famous 'Induction,' the metrical form of the stanzas is much the same; there is the same smoothness of rhythm and frequent modernness of form, quite different from the halting lines of Lydgate and Hawes. This raises a suggestion that the author may have learnt his metre from Scottish authors, such as Henryson and Dunbar; and it is surprising to find him employing such words as _celsitude_ and _pulcritude_, and even riming them together, precisely as Dunbar did (ll. 611-613, and the note). One wonders where he learnt to use such words, if not from Scottish authors. Curiously enough, a single instance of the use of a Northern inflexion occurs in the phrase _me thynkes_, 874. And I admit the certainty that he consulted The Kingis Quair. I have no space to discuss the matter at length; so shall content myself with saying that the impression produced upon me is that we have here the work of one of the heralds of the Elizabethan poetry, of the class to which belonged Nicholas Grimoald, Thomas Sackville, Lord Surrey, Lord Vaux, and Sir Francis Bryan. There must have been much fairly good poetry in the time of Henry VIII that is lost to us. Tottell's Miscellany clearly shews this, as it is a mere selection of short pieces, which very nearly perished; but for this fortunate relic, we should not have known much about Wyat and Surrey. Sackville, when at Cambridge, acquired some distinction for Latin and English verse, but we possess none of it. However, Sackville was not the author of The Court of Love, seeing that it was published in a 'Chaucer' collection in 1561, long before his death. The fact that our clerk was well acquainted with so many pieces by Chaucer, such as The Knight's Tale, the Complaint of Pity, The Legend of Good Women, Troilus, and Anelida, besides giving us reminiscences of The Letter of Cupid, and (perhaps) of The Cuckoo and Nightingale, raises the suspicion that he had access to Thynne's edition of 1532; and it is quite possible that this very book inspired him for his effort. This suspicion becomes almost a certainty if it be true that ll. 495-496 are borrowed from Rom. Rose, 2819-20; see note at p. 545. I can find no reason for dating the poem earlier than that year.