Moreover, it must be remembered that I here only refer to the selected pieces printed in the present volume. If we go further afield, we soon find several more authors, all distinct from those above-mentioned, from each other, and from Chaucer. I will just instance the author of the Isle of Ladies, the authoress (presumably) of The Lamentation of Mary Magdalen, the author of The Craft of Lovers, the 'man unknown' who wrote The Ten Commandments of Love, and the author of the clumsy lines dignified by the title of The Nine Ladies Worthy. It is quite certain that _not less_ than twenty authors are represented in the mass of heterogeneous material which appears under Chaucer's name in a compilation such as that which is printed in the first volume of Chalmers' British Poets; which, precisely on that very account, is useful enough in its own peculiar way. § 79. I believe it may be said of nearly every piece in the volume, that it now appears in an improved form. In several cases, I have collated MSS. that have not previously been examined, and have found them to be the best. The Notes are nearly all new; very few have been taken from Bell's Chaucer. Several are due to Schick's useful notes to The Temple of Glas; and some to Krausser's edition of The Black Knight, and to Gröhler's edition of La Belle Dame, both of which reached me after my own notes were all in type. I have added a Glossary of the harder words; for others, see the Glossary already printed in vol. vi. In extenuation of faults, I may plead that I have found it much more difficult to deal with such heterogenous material as is comprised in the present volume than with pieces all written by the same author. The style, the grammar, the mode of scansion, the dialect, and even the pronunciation are constantly shifting, instead of being reasonably consistent, as in the genuine works of Chaucer. Any one who will take the pains to observe these points, to compile a sufficient number of notes upon difficult passages, and to prepare a somewhat full glossary, may thus practically convince himself, as I have done, that not a single piece in the present volume ought ever to have been 'attributed' to Chaucer. That any of them should have been so attributed--and some of them never were--has been the result of negligence, superficiality, and incapacity, such as (it may be hoped) we have seen the last of. I wish once more to acknowledge my obligations to Mr. E. B. Nicholson, for the loan of his transcript of The Praise of Peace; to Mr. Bradley, for his discovery of the authorship of The Testament of Love and for other assistance as regards the same; to Dr. E. Krausser, for his edition of The Complaint of the Black Knight; to Dr. Gröhler, for his dissertation on La Belle Dame sans Mercy; and to Professor Hales for his kind help as to some difficult points, and particularly with regard to The Court of Love. * * * * * THE TESTAMENT OF LOVE.