England -- Fiction; Gothic fiction; Inheritance and succession -- Fiction
That night, as Richard Arden bid him good-bye, his uncle said, coldly
enough,--
"By-the-bye, Richard, would you mind looking in upon me to-morrow, at
five in the afternoon? I shall have a word to say to you."
So the appointment was made, and Richard entered his cab, and drove into
town dismally.
CHAPTER XXXVI.
MR. LONGCLUSE SEES A LADY'S NOTE.
Next day Mr. Longcluse paid an early visit at Uncle David's house, and
saw Miss Maubray in the drawing-room. The transition from that young
lady's former, to her new life, was not less dazzling than that of the
heroine of an Arabian tale, who is transported by friendly genii, while
she sleeps, from a prison to the palace of a sultan. Uncle David did not
care for finery; no man's tastes could be simpler and more camp-like.
But these drawing-rooms were so splendid, so elegant and refined, and
yet so gorgeous in effect, that you would have fancied that he had
thought of nothing else all his life but china, marqueterie, buhl, Louis
Quatorze clocks, mirrors, pale-green and gold cabriole chairs, bronzes,
pictures, and all the textile splendours, the names of which I know not,
that make floors and windows magnificent.
The feminine nature, facile and self-adapting, had at once accommodated
itself to the dominion over all this, and all that attended it. And Miss
Maubray being a lady, a girl who had, in her troubled life, been much
among high-bred people--her father a gentle, fashionable, broken-down
man, and her mother a very elegant and charming woman--there was no
contrast, in look, air, or conversation, to mark that all this was new
to her: on the contrary, she became it extremely.
The young lady was sitting at the piano when Longcluse came in, and to
the expiring vibration of the chord at which she was interrupted she
rose, with that light, floating ascent which is so pretty, and gave him
her hand, and welcomed him with a very bright smile. She thought he was
a likely person to be able to throw some light upon two rumours which
interested her.
"How do you contrive to keep your rooms so deliciously cool? The blinds
are down and the windows open, but that alone won't do, for I have just
left a drawing-room that is very nearly insupportable; yours must be the
work of some of those pretty sylphs that poets place in attendance upon
their heroines. How fearfully hot yesterday was! You did not go to the
Derby with Lady May's party, I believe."
He watched her clever face, to discover whether she had heard of the
scene between him and Richard Arden--"I don't think she has."
"No," she said, "my guardian, Mr. Arden, took me there instead. On
second thoughts, I feared I should very likely be in the way. One is
always _de trop_ where there is so much love-making; and I am a very bad
gooseberry."
"A very dangerous one, I should fancy. And who are all these lovers?"
Public-domain text, read in full here on John Shaqi.
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