England -- Fiction; Gothic fiction; Inheritance and succession -- Fiction
For hours he strode or loitered alone through the solitary woodlands.
The moonlight was beautiful; the old trees stand mournful and black
against the luminous sky; there is for him a fascination in the
solitude, as his noiseless steps lead him alternately into the black
shadow cast on the sward by the towering foliage, and into the clear
moonlight, on dewy grass that shows grey in that cold brightness. He was
in the excitement of hope and suspense. Things had looked very black,
but a door had opened and light came out. Was it a dream?
He leans with folded arms against the trunk of one of the trees that
stand there, and from the slight elevation of the ground he can see the
avenue under the boughs of the trees that flank it, and the chimneys of
Mortlake Hall through the summits of the opening clumps. How melancholy
and still the whole scene looks under that light!
"When I succeed to all this, who will be mistress of it?" he says, with
his strange smile, looking toward the summits of the chimneys, that
indicate the site of the Hall. "No one knows who I am; who can tell my
history? What about that opera-girl? What about my money?--money is
alway exaggerated. How many humbugs! how many collapses! stealing into
society by evasions, on false pretences, in disguise! The man in the
mask, ha! ha! Really perhaps _two_ masks; not a bad fluke, that. The
villain! You would not take a thousand pounds and know me--that is
speaking boldly. A thousand pounds is still something in your book. You
would not take it. The time will come, perhaps, when you'd _give_ a
thousand--_ten_ thousand, if you had them--that I were your friend.
Slanderous villain! To think of his talking so of me! The man in the
mask trying to excite suspicion. My two masks are broken, and I all the
better. By--! you shall meet me yet without a mask. Alice! will you be
my idol? There is no neutrality with one like me in such a case. If I
don't worship, I must _break_ the image. What a speck we stand on
between the illimitable--the eternal past and the eternal future--always
looking for a present that shall be something tangible; always finding
it a mathematical point, _cujus nulla est pars_--the mere stand-point of
a retrospect and a conjecture. Ha! There are the wheels: there goes the
funeral!"
He holds his breath, and watches. How interesting is everything
connected with Alice! Slowly it passes along. Through one opening made
by the havoc of a storm in the line of trees that form the avenue, he
sees it plainly enough. A very scanty procession--the plumed hearse and
three carriages, and a few persons walking beside. It passes. The great
iron gate shrieks its long and dolorous note as it opened, and Longcluse
heard it clang after the last carriage had passed, and with this
farewell the old gate sent forth the dead master of Mortlake.
Public-domain text, read in full here on John Shaqi.
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