Every man of energetic passions has within him a principle of self-destruction. Longcluse had his. It had expressed itself in his passion for Alice Arden. That passion had undergone a wondrous change, but it was imperishable in its new as in its pristine state. This gentleman was in the dumps so soon as he was left alone. Always uncertainty; always the sword of Damocles; always the little reminders of perdition, each one contemptible, but each one in succession touching the same set of nerves, and like the fall of the drop of water in the inquisition, _non vi, sed sæpe cadendo_, gradually heightening monotony into excitement, and excitement into frenzy. Living always with a sense of the unreality of life and the vicinity of death, with a certain stern tremor of the heart, like that of a man going into action, no wonder if he sometimes sickened of his bargain with Fate, and thought life purchased too dear on the terms of such a lease. Longcluse bolted his door, unlocked his desk, and there what do we see? Six or seven miniatures--two enamels, the rest on ivory--all by different hands; some English, some Parisian; very exquisite, some of them. Every one was Alice Arden. Little did she dream that such a gallery existed. How were they taken? Photographs are the colourless phantoms from which these glowing life-like beauties start. Tender-hearted Lady May has in confidence given him, from time to time, several of these from her album; he has induced foreign artists to visit London, and managed opportunities by which, at parties, in theatres, and I am sorry to say even in church, these clever persons succeeded in studying from the life, and learning all the tints which now glow before him. If I had mentioned what this little collection cost him, you would have opened your eyes. The Baron Vanboeren would have laughed and cursed him with hilarious derision, and a money-getting Christian would have been quite horror-struck, on reading the scandalous row of figures. Each miniature he takes in turn, and looks at for a long time, holding it in both hands, his hands resting on the desk, his face inclined and sad, as if looking down into the coffin of his darling. One after the other he puts them by, and returns to his favourite one; and at last he shuts it up also, with a snap, and places it with the rest in the dark, under lock and key. He leaned back and laid his thin hand across his eyes. Was he looking at an image that came out in the dark on the retina of memory? Or was he shedding tears? CHAPTER LX. "SAUL."