England -- Fiction; Gothic fiction; Inheritance and succession -- Fiction
To her the whole thing seemed stupendous, unearthly, glorious beyond
expression. She almost trembled with excitement. She was glad she had
come. Tears of ecstasy were in her eyes.
And now, at length, the three parts are over, and the crowd begin to
move outward. The organ peals as they shuffle slowly along, checked
every minute, and then again resuming their slow progress, pushing on in
those little shuffling steps of two or three inches by which well-packed
crowds get along, every one wondering why they can't all step out
together, and what the people in front can be about.
In two several channels, through two distinct doors, this great human
reservoir floods out. Sir Richard has undertaken the task of finding
Lady May's carriage, and bringing it to a point where they might escape
the tedious waiting at the door; and David Arden, with Lady May on one
arm and Alice on the other, is getting on slowly in the thick of this
well-dressed and aristocratic mob.
"I think, Alice," said Uncle David, "you would be more out of the crush,
and less likely to lose me, if you were to get quite close behind us--do
you see?--between Lady May and me, and hold me fast."
The pressure of the stream was so unequal, and a front of three so wide,
that Alice gladly adopted the new arrangement, and with her hand on her
uncle's arm, felt safer and more comfortable than before.
This slow march, inch by inch, is strangely interrupted. A well-known
voice, close to her ear, says--
"Miss Arden, a word with you."
A pale face, with flat nose and Mephistophelian eyebrows, was stooping
near her. Mr. Longcluse's thin lips were close to her ear. She started a
little aside, and tried to stop. Recovering, she stretched her hand to
reach her uncle, and found that there were strangers between them.
CHAPTER LXI.
A WAKING DREAM.
There is something in that pale face and spectral smile that fascinates
the terrified girl; she cannot take her eyes off him. His dark eyes are
near hers; his lips are still close to her; his arm is touching her
dress; he leans his face to her, and talks on, in an icy tone little
above a whisper, and an articulation so sharply distinct that it seems
to pain her ear.
Public-domain text, read in full here on John Shaqi.
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