England -- Fiction; Gothic fiction; Inheritance and succession -- Fiction
An idea, very vague, very little the product of reason, had now taken
possession of his brain, and he relied upon it as an intuition. He had
been thinking over it. It first warmed, then simmered, then, as it were,
boiled. The process had been one of an hour and more, as he sat at his
brother's table and took his share in the conversation. When the steam
got up and the pressure rose to the point of action, forth went Uncle
David to have his talk with his early friend Tansey. He stopped, as I
have said, at the great window on the staircase, and looked out and up.
The moon was splendid; the stars were glimmering brightly; they looked
down like a thousand eyes set upon him, to watch the prowess and
perseverance of the man on whom fate had imposed a mission.
Some idea like this seized him, for, like many men of a similar
temperament, he had an odd and unconfessed vein of poetry in his nature.
He had looked out and up in a listless abstraction, and the dark heaven
above him, brilliant with its eternal lights, had for a moment withdrawn
and elevated his thoughts as if he had entered a cathedral.
"What specks and shadows we are, and how eternal is duty! And if we are
in another place to last like those unfailing lights--to become happy or
wretched, and, in either state, indestructible for ever--what signify
the labour and troubles of life, compared with that by which our
everlasting fate is fixed? God help us! Am I consulting revenge or
conscience in pursuing this barren inquiry? Do I mistake for the sublime
impulse of conscience a vulgar thirst for blood? I think not. I never
harboured malice; I hate punishing people. But murder is a crime against
God himself, respecting which he imposes duties upon man, and seconds
them by all the instincts of affection. Dare I neglect them, then, in
the case of poor loving Harry, my brother?"
The drawing-room door had been opened a little, the night being sultry,
and through it now came the clear tones of a well-taught baritone. It
was singing a slow and impassioned air, and its tones, though sweet,
chilled him with a strange pain. It seemed like instinct that told him
it was the stranger's voice. One moment's thought would have proved it
equally. There was no one else present to suspect but Vivian Darnley,
and he was no musician; but to David Arden it seemed that if a hundred
people were there he should have felt it all the same, and intuitively
recognised it as Longcluse's voice.
"What is it in that voice which is so hateful? What is it in that
passion which sounds insincere? What gives to those sweet tones a latent
discord, that creeps so coldly through my nerves?"
So thought David Arden, as, with one hand still upon the window-sash, he
listened and turned toward the open door, with a frown akin to one of
pain.
Spell-bound, he listened till the song was over, and sighed and shook
his ears with a sort of shudder when the music ceased.
Public-domain text, read in full here on John Shaqi.
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