Manners and customs -- Fiction; Short stories, American
"What did it get her?" she asked as though to herself. "I know what it
does to a girl, seeing and handling stuff that's made for millionaires,
you get a taste for it yourself. Take it from me, it ain't the
six-dollar girl that needs looking after. She's taking her little pay
envelope home to her mother that's a widow and it goes to buy milk for
the kids. Sometimes I think the more you get the more you want.
Somebody ought to turn that vice inquiry on to the tracks of that
thirty-dollar-a-week girl in the Irish crochet waist and the diamond bar
pin. She'd make swell readin'."
There fell a little silence between the two--a silence of which neither
was conscious. Both were thinking, Myrtle disjointedly, purposelessly,
all unconscious that her slow, untrained mind had groped for a great and
vital truth and found it; Ray quickly, eagerly, connectedly, a new and
daring resolve growing with lightning rapidity.
"There's another new baby at our house," she said aloud suddenly. "It
cries all night pretty near."
"Ain't they fierce?" laughed Myrtle. "And yet I dunno--"
She fell silent again. Then with the half-sign with which we waken from
day dreams she moved away in response to the beckoning finger of a
saleswoman in the evening-coat section. Ten minutes later her exquisite
face rose above the soft folds of a black charmeuse coat that rippled
away from her slender, supple body in lines that a sculptor dreams of
and never achieves.
Ray Willets finished straightening her counter. Trade was slow. She
moved idly in the direction of the black-garbed figure that flitted
about in the costly atmosphere of the French section. It must be a very
special customer to claim Miss Jevne's expert services. Ray glanced in
through the half-opened glass and ivory-enamel doors.
"Here, girl," called Miss Jevne. Ray paused and entered. Miss Jevne was
frowning. "Miss Myrtle's busy. Just slip this on. Careful now. Keep your
arms close to your head."
She slipped a marvellously wrought garment over Ray's sleek head. Fluffy
drifts of equally exquisite lingerie lay scattered about on chairs, over
mirrors, across showtables. On one of the fragile little ivory-and-rose
chairs, in the centre of the costly little room, sat a large, blonde,
perfumed woman who clanked and rustled and swished as she moved. Her
eyes were white-lidded and heavy, but strangely bright. One ungloved
hand was very white too, but pudgy and covered so thickly with gems that
your eye could get no clear picture of any single stone or setting.
Ray, clad in the diaphanous folds of the _robe-de-nuit_ that was so
beautifully adorned with delicate embroideries wrought by the patient,
needle-scarred fingers of some silent, white-faced nun in a far-away
convent, paced slowly up and down the short length of the room that the
critical eye of this coarse, unlettered creature might behold the
wonders woven by this weary French nun, and, beholding, approve.
Public-domain text, read in full here on John Shaqi.
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