"Yes I was. So far as I know I'm the only hotel housekeeper in history who can't look back to the time when she had three servants of her own, and her private carriage. I'm no decayed black-silk gentlewoman. Not me. My father drove a hack in Sorgham, Minnesota, and my mother took in boarders and I helped wait on table. I married when I was twenty, my man died two years later, and I've been earning my living ever since." "Happy?" "I must be, because I don't stop to think about it. It's part of my job to know everything that concerns the comfort of the guests in this hotel." "Including hysterics in six-eighteen?" "Including. And that reminds me. Up on the twelfth floor of this hotel there's a big, old-fashioned bedroom. In half an hour I can have that room made up with the softest linen sheets, and the curtains pulled down, and not a sound. That room's so restful it would put old Insomnia himself to sleep. Will you let me tuck you away in it?" Geisha McCoy slid down among her rumpled covers, and nestled her head in the lumpy, tortured pillows. "Me! I'm going to stay right here." "But this room's--why, it's as stale as a Pullman sleeper. Let me have the chambermaid in to freshen it up while you're gone." "I'm used to it. I've got to have a room mussed up, to feel at home in it. Thanks just the same." Martha Foote rose, "I'm sorry. I just thought if I could help--" Geisha McCoy leaned forward with one of her quick movements and caught Martha Foote's hand in both her own, "You have! And I don't mean to be rude when I tell you I haven't felt so much like sleeping in weeks. Just turn out those lights, will you? And sort of tiptoe out, to give the effect." Then, as Martha Foote reached the door, "And oh, say! D'you think she'd sell me those shoes?" Martha Foote didn't get her dinner that night until almost eight, what with one thing and another. Still as days go, it wasn't so bad as Monday; she and Irish Nellie, who had come in to turn down her bed, agreed on that. The Senate Hotel housekeeper was having her dinner in her room. Tony, the waiter, had just brought it on and had set it out for her, a gleaming island of white linen, and dome-shaped metal tops. Irish Nellie, a privileged person always, waxed conversational as she folded back the bed covers in a neat triangular wedge. "Six-eighteen kinda ca'med down, didn't she? High toime, the divil. She had us jumpin' yist'iddy. I loike t' went off me head wid her, and th' day girl th' same. Some folks ain't got no feelin', I dunno." Martha Foote unfolded her napkin with a little tired gesture. "You can't always judge, Nellie. That woman's got a son who has gone to war, and she couldn't see her way clear to living without him. She's better now. I talked to her this evening at six. She said she had a fine afternoon." "Shure, she ain't the only wan. An' what do you be hearin' from your boy, Mis' Phut, that's in France?"