Chelsea, in the Olden & Present TimesBryan, George
History
Chelsea, in the Olden & Present Times
Bryan, George
Chelsea (London, England) -- History
“The particularity of this man put me into a deep thought, whence it
should proceed that, of all the lower order, barbers should go
further in hitting the ridiculous than any other set of men: watermen
brawl, cobblers sing; but why must a barber be for ever a politician,
a musician, an anatomist, a poet, and a physician. The learned
Vossius says, his barber used to comb his hair in iambics; and indeed
in all ages, one of this useful profession, this order of cosmetic
philosophers, has been celebrated by the most eminent hands. You see
the barber, in Don Quixote, is one of the principal characters in the
history, which gave me satisfaction in the doubt, why Don Saltero
writ his name with a Spanish termination; for he is descended in a
right line, not from John Tradescant, as he himself asserts, but from
that memorable companion of the Knight of Mancha; and I hereby
certify, to all the worthy citizens who travel to see his rarities,
that his double-barrelled pistols, targets, coats of mails, his
sclopeta, and sword of Toledo, were left to his ancestor, by the said
ancestor to all his progeny down to Don Saltero. Though I go thus
far in favour of Don Saltero’s merit, I cannot allow a liberty he
takes of imposing several names (without my licence) on the
collections he has made, to the abuse of the good people of England,
one of which is particularly calculated to deceive religious persons,
to the great scandal of the well-disposed, and may introduce
heterodox opinions: he shows you a straw hat, which I know to be made
by Madge Peskad, within three miles of Bedford, and tells you it is
Pontius Pilate’s wife’s chambermaid’s sister’s hat. To my knowledge
of this very hat, it may be added, that the covering of straw was
never used among the Jews, since it was demanded of them to make
bricks without it.
“Therefore this is really nothing, but, under the specious pretence
of learning and antiquity, to impose upon the world. There are other
things which I cannot tolerate among his rarities, as the china
figure of a lady in the glass case, the Italian engine for the
imprisonment of those who go abroad with it; both of which I hereby
order to be taken down, or else he may expect to have his
letters-patent for making punch superseded, be debarred wearing his
muff next winter, or ever coming to London without his wife.
Public-domain text, read in full here on John Shaqi.
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