Cophurst, an old house near Sutton Downes in the Forest of Macclesfield,
is thought to have been the birthplace of the chronicler Raphael
Holinshed, who wrote a History of England and dedicated it to William
Cecil, Lord Burghley, the great minister of Queen Elizabeth. Shakespeare
used this book for the plots of some of his plays.
The triumphs of Francis Drake were celebrated in a long Latin poem by
Thomas Newton of Butley, who placed the small brass tablet on the wall
near the pulpit in Prestbury Church to the memory of his parents. Newton
was for some time the head master of Macclesfield Grammar School.
Another Elizabethan poet was Geoffrey Whitney, who was born at Nantwich.
An inscription on an old house at Nantwich, bearing the date 1584, shows
that Elizabeth returned the affections of her people and did all she
could for them. The verse reads thus:--
God grant our royal Queen
In England long to reign;
For she hath put her helping hand
To build this town again.
[Illustration: MAP OF CHESHIRE. From Drayton's 'Polyolbion']
Nantwich had been almost totally destroyed by fire in the previous year.
The risk of fire was always very great, owing to the fact that nearly
all the houses of the Middle Ages were built of timber and thatched with
straw.
The black and white timbered halls are the glory of Cheshire. Let us pay
a visit to-day to Little Moreton Hall, near Congleton, perhaps the most
beautiful of them all. The people who live here are proud of their home,
and on certain days of the week allow you to examine at your leisure
many of the rooms in the old house, which remains in almost the same
condition as when the Moretons removed to a new and more spacious house
of brick hard by.
The framework of the house is all of wood, good solid English oak, and
black with age. The spaces between the beams and props are filled with
plaster and painted white. The principal beams which support the
building are of course upright, firmly laid on a foundation of stone.
Within the squares of this framework other beams are set in sloping
parallel lines, forming patterns of chevron or diamond, or arranged in
rows of quatrefoils and arcades of trefoil-headed arches. The upper
stories and the gables of the roof project beyond the ground floor of
the building, which is thus kept dry.
We cross the moat by a substantial stone bridge, and enter through a
gateway whose massive oaken lintel and side-posts are covered with rich
carving, and find ourselves in a square paved courtyard. Within the
gateway is a stone horse-block.
Facing us are two deep bay-windows formed of five sides of an octagon.
Over them you may read the carved inscription: 'God is al in al things.
This window whire made by William Moreton in the yeare of oure Lorde
MDLIX.' The building of the home was regarded by our Elizabethan
forefathers as an almost sacred work, to be carried out with hardly less
reverence than the building of a church.
Public-domain text, read in full here on John Shaqi.
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