Chicago and its cess-pools of infamyWilson, Samuel Paynter
History
Chicago and its cess-pools of infamy
Wilson, Samuel Paynter
Chicago (Ill.) -- Social conditions; Prostitution -- Illinois -- Chicago
Perhaps the most remarkable dramatic establishment Chicago ever had,
was launched in the early eighties. It was known as “Grand Duke’s
Theatre,” or, it was better known to its patrons as “The Grand Dooks
Theatre.” It began its career in a vacant store building on South State
street in a very humble way; but with increasing prosperity removed to
more suitable quarters. The prices of admission were as follows: Boxes,
25 cents; orchestra, 15 cents; balcony, 10 cents; gallery, 5 cents. The
establishment was managed and controlled by boys and its audiences were
composed of boys and young men. The company was composed of youths yet
in their teens, and the performances were of the “blood-and-thunder”
order, interspersed with “variety acts” of a startling description.
The house and appointments were primitive, and the stage equally so.
The orchestra was made up of amateur musicians, and was placed out
of sight at the back of the stage. The footlights consisted of six
kerosene lamps with glass shades. Two red-plush lounges, stuffed with
saw-dust, and in a sad state of dilapidation served as boxes; while the
orchestra stalls were represented by half a dozen two-legged benches,
and the balcony and gallery were composed of a bewildering arrangement
of step ladders and dry-goods boxes. The manager acted as his own
policeman, and enforced order by knocking the heads of disorderly
spectators or by summarily ejecting them. The performances were crude,
but they satisfied the audiences, and never failed to draw forth a
storm of applause, mingled with shrill whistles and stamping of feet.
The boys were satisfied. What more could be desired?
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End of the Project Gutenberg EBook of Chicago and its cess-pools of infamy, by
Samuel Paynter Wilson
Public-domain text, read in full here on John Shaqi.
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