France -- History -- Henry III, 1574-1589 -- Fiction
“If I knew! Oh! madame, I know one thing; he who is your husband
is wrong to think of the rest of the world.”
“But!” cried Diana, in a broken voice, “if you were wrong, M.
le Comte, and if he were not.”
And the young woman, touching with her cold hand the burning ones
of Bussy, rose and fled among the somber alleys of the garden,
seized Gertrude’s arm and dragged her away, before Bussy, astonished
and overwhelmed with delight, had time to stretch out his arms
to retain her. He uttered a cry and tottered; Rémy arrived in
time to catch him in his arms and make him sit down on the bench
that Diana had just quitted.
CHAPTER XLIV.
HOW D’EPERNON HAD HIS DOUBLET TORN, AND HOW CHOMBERG WAS STAINED
BLUE.
While M. la Hurière piled signature upon signature, while Chicot
consigned Gorenflot to the Corne d’Abondance, while Bussy returned
to life in the happy little garden full of perfume and love,
the king, annoyed at all he had seen in the city, and furious
against his brother, whom he had seen pass in the Rue St. Honoré,
accompanied by MM. de Guise and Monsoreau, and followed by a
whole train of gentlemen, re-entered the Louvre, accompanied
by Maugiron and Quelus. He had gone out with all four of his
friends, but, at some steps from the Louvre, Schomberg and D’Epernon
had profited by the first crush to disappear, counting on some
adventures in such a turbulent night. Before they had gone one
hundred yards D’Epernon had passed his sword-sheath between the
legs of a citizen who was running, and who tumbled down in
consequence, and Schomberg had pulled the cap off the head of
a young and pretty woman. But both had badly chosen their day
for attacking these good Parisians, generally so patient; for a
spirit of revolt was prevalent in the streets, and the bourgeois
rose, crying out for aid, and the husband of the young woman
launched his apprentices on Schomberg. He was brave; therefore
he stopped, put his hand on his sword, and spoke in a high tone.
D’Epernon was prudent; he fled.
Henri had entered his room at the Louvre, and, seated in his
great armchair, was trembling with impatience, and seeking a
good pretext for getting into a passion. Maugiron was playing
with Narcissus, the large greyhound, and Quelus was sitting near.
“They go on!” cried Henri, “their plot advances; sometimes tigers,
sometimes serpents; when they do not spring they glide.”
“Oh, sire!” said Quelus, “are there not always plots in a kingdom?
What the devil could all the sons, brothers, and cousins of kings
do if they did not plot?” And Quelus irreverently turned his
back to the king.
“Hear, Maugiron,” said the king, “with what nonsense he tries
to put me off.”
“Well, sire, look at Narcissus; he is a good dog, but when you
pull his ears, he growls, and when you tread on his toes he bites.”
“Here is the other comparing me to my dog!”
“Not so, sire; I place Narcissus far above you, for he knows
how to defend himself, and you do not.” And he also turned his
back.
Public-domain text, read in full here on John Shaqi.
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