Childhood in literature and art, with some observations on literature for children : $b A studyScudder, Horace Elisha
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Childhood in literature and art, with some observations on literature for children : $b A study
Scudder, Horace Elisha
Children in art; Children in literature
“Was it for this
That one, the fairest of all rivers, loved
To blend his murmurs with my nurse’s song,
And, from his alder shades and rocky falls,
And from his fords and shallows, sent a voice
That flowed along my dreams? For this, didst thou,
O Derwent! winding among grassy holms
Where I was looking on, a babe in arms,
Make ceaseless music that composed my thoughts
To more than infant softness, giving me
Amid the fretful dwellings of mankind
A foretaste, a dim earnest, of the calm
That Nature breathes among the hills and groves.”
Still more minutely does he disclose the consciousness of childhood in
his record of the mind of the Wanderer in The Excursion, in the lines
beginning:—
“From his sixth year, the Boy of whom I speak
In summer tended cattle on the hills.”
It may be said that in all this Wordsworth is simply rehearsing and
expanding an exceptional experience; that his recollection of his own
childhood passed through the alembic of a fervid poetic imagination. Be
it so; we are not so much concerned to know how the poet came by this
divination, as to know that he should have treated it as universal and
common to the period of childhood. Again and again in descriptive poem,
in direct address, in indirect allusion, he so uses this knowledge as
to forbid us to regard it as peculiar and exceptional in his own view;
and a poet’s attestation to a universal experience is worth more than any
negation which comes from our individual blurred recollection. Wordsworth
discovers in childhood the germ of humanity; he sees there thoughts,
emotions, activities, sufferings, which are miniatures of the maturer
life,—but, he sees more than this and deeper. To him the child is not
a pigmy man; it has a life of its own, out of which something even may
pass, when childhood is left behind. It is not the ignorant innocence of
childhood, the infantile grace, which holds him, but a certain childish
possession, in which he sees a spiritual presence obscured in conscious
youth. Landor in one of his Imaginary Conversations stoutly asserts a
similar fact when he says, “Children are not men or women; they are
almost as different creatures, in many respects, as if they never were to
be one or the other; they are as unlike as buds are unlike flowers, and
almost as blossoms are unlike fruits.”[33]
Public-domain text, read in full here on John Shaqi.
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