Childhood in literature and art, with some observations on literature for children : $b A studyScudder, Horace Elisha
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Childhood in literature and art, with some observations on literature for children : $b A study
Scudder, Horace Elisha
Children in art; Children in literature
By a natural instinct, writers for children began at once to write
about children. They were moved by educational rather than by artistic
impulses, so that their creations were subordinate to the lessons which
they conveyed. During the period when Wordsworth, Lamb, De Quincey, and
Blake were idealizing childhood, and seeing in it artistic possibilities,
there flourished a school of writing for the young which also dealt with
childhood, but with a sturdy realism. This school had its representatives
in Mrs. Barbauld, Mr. Day, the Aikens, Maria Edgeworth, Ann and Jane
Taylor, and holds a place still with Evenings at Home, The Parent’s
Assistant, Hymns in Prose for Children, Hymns for Infant Minds, Frank,
and Sandford and Merton. The characteristics of this literature are
simple, and will be recalled by many who dwell with an affectionate and
regretful regard upon books which they find it somewhat difficult to
persuade their children to read.
These books were didactic; they assumed in the main the air of wise
teachers; they were sometimes condescending; they appealed to the
understanding rather than to the imagination of the child, and they
abounded in stores of useful information upon all manner of subjects.
They contained precursors of a long series of juvenile monitors, and
the grandfathers who knew Mr. Barlow had children who knew Mr. Holiday,
Rollo, Jonas, and Mr. George, and grandchildren who may be suspected
of an acquaintance with Mr. Bodley and his much traveled and very
inquisitive family.
Yet, the earlier works, though now somewhat antiquated, were not
infrequently lively and even humorous in their portraiture of children.
They were written in the main out of a sincere interest in the young,
and by those who were accustomed to watch the unfolding of childish
nature. If they reflected a somewhat formal relation between the old and
the young, it must be remembered that the actual relation was a formal
one: that the young had not yet come into familiar and genial relation
with the old. Indeed, the books themselves were somewhat revolutionary
in a small way. Much that seems stiff and even unnatural to us now was
quite easy and colloquial to their first readers, and in their eagerness
to lure children into ways of pleasant instruction, the authors broke
down something of the reserve which existed between fathers and sons in
the English life which they portrayed. Yet we cannot help being struck
by the contrast between the sublimated philosophy of Wordsworth and the
prosaic applications of the Edgeworth school. Heaven lies about us in our
infancy? Oh, yes, a heaven that is to be looked at through a spy-glass
and explained by means of a home-made orrery. It would seem as if the
spirit of childhood had been discerned with all its inherent capacity,
but that the actual children of this matter-of-fact world had not yet
been fairly seen by the light of this philosophy.
Public-domain text, read in full here on John Shaqi.
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