Historical fiction; Rich people -- Fiction; Virginia -- Social life and customs -- 19th century -- Fiction
Lewis soon sidled up to Sylvia, proud and delighted at her notice. But
it was all the notice he had, except from Mr. Conyers, who patted him
on the head, and a smile from Mrs. Blair. The clergyman had come in
response to a personal note as well as a card from Skelton, and walked
about sadly, thinking on the vast and sorrowful spectacle of human
nature even in the presence of so much fleeting joy. He had not been
in the house an hour, though, before he came up to say good-night.
There was not only much card playing going on in the library, but
considerable betting, which was the fashion in those days, and to that
Conyers was unalterably opposed.
“Mr. Skelton,” said he, coming up to him, “I must say good-night.”
“Why so early?” asked Skelton graciously. “Since you have done me the
honour of coming, why not do me the pleasure of staying?”
“Because,” said Conyers, who spoke the truth in season and out of
season, “it is against my conscience to stay where betting is going
on. Forgive me, if I apparently commit a breach of hospitality, but
consider, Mr. Skelton, you will one day be held accountable for the
iniquity that is now taking place under your roof.”
“I accept the responsibility,” answered Skelton, with unabated
politeness, “and I regret your decision. You are always welcome at
Deerchase, Mr. Conyers, and you have the most perfect liberty of
expressing your opinions.”
“Thank you,” replied poor Conyers, with tears in his eyes. “If
everybody was as tolerant as you, my ministry would be easier than it
is.”
As Conyers went one way, Skelton went off another, thinking to himself,
“Was ever a man so openly defied as I?” True it was he could be openly
defied, and everybody had full liberty, until Skelton’s own orbit was
crossed: then there was no liberty.
Old Tom Shapleigh swung, like a pendulum, between cards and dancing. He
danced with all the vigor of colonial days, and his small, high-bred
feet, cased in white-silk stockings and low shoes, with silver buckles,
twinkled like a ballet dancer’s as he cut the pigeon wing. Mrs. Blair,
who danced sedately and gracefully, was his partner. Bob Skinny, his
head thrown back and wearing an expression of ecstatic delight, watched
the dancers from a corner, occasionally waving his “fluke” to mark the
time. However, by some occult means he had become acquainted with the
champagne punch, and when Skelton’s back was turned, Bob proceeded to
cut the pigeon wing too, and to back-step and double-shuffle with the
most surprising agility. In the midst of this performance, though, a
hint of Skelton’s approach being given, Bob instantly assumed the most
rigid and dignified pose imaginable.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account