Historical fiction; Rich people -- Fiction; Virginia -- Social life and customs -- 19th century -- Fiction
Bulstrode, on coming to himself, actually ran out of the house to
escape that terrible Presence that had just made its majestic self
known. Sylvia, on the contrary, could not be forced away until she had
at least seen Skelton once more. Conyers sat by her in one of the great
drawing-rooms, awed at her perfectly silent and tearless grief. A few
candles made the darkness visible. The room was one that was never
used except upon some festive occasion, and the contrast of Sylvia
sitting in mute despair in the gala room was a ghastly epitome of life
and death. Overhead was audible occasionally the muffled sound of the
watchers moving about Lewis Pryor’s bed; and across the hall, on the
other side, could be heard distinctly in the midnight stillness the
gruesome preparations that His Majesty Death requires. Conyers was as
silent as Sylvia. His emotions were always insoluble in speech, and now
they froze the words upon his tongue. As soon as that one last look at
Skelton was had Sylvia must leave the house.
After waiting as much as an hour, a step was heard crossing the hall,
and Bob Skinny, with a candle in his hand, opened the door noiselessly
and beckoned to Conyers.
Sylvia rose too. She knew what that gesture meant. She walked firmly
forward a few steps, and then stopped, trembling; but, with a supreme
effort, she went upon her way, Conyers close at hand but not touching
her. She felt herself to be in a dream as she crossed the familiar
hall and entered the library, which was peculiarly Skelton’s room.
She turned and closed the door after her, which Conyers had left
partly open. The great room was dimly lighted, but the light scarcely
penetrated the deep darkness of the corners, and the ceiling was lost
in gloom. A window was open, and through it came softly a faint,
chill, odoriferous wind. Sylvia remembered Skelton once telling her
that in the East such a wind was called the Wind of Death. The heavy
curtains moved gently, as if touched by a ghostly hand, and a branch
of white hydrangeas, with which the fireplace was filled, trembled at
it. On the sofa lay Skelton, looking the least deathlike object in
the room. He was dressed in his ordinary evening clothes, and on his
delicate high-arched feet were black silk stockings and pumps with
diamond buckles. He lay on his side quite naturally, his dislocated arm
drawn up under the discoloured side of his face, so that both injuries
were quite concealed. Anything more natural or graceful could not be
conceived. He seemed to have thrown himself on the lounge after dinner,
and have dropped asleep for a few moments.
It was the first dead person Sylvia had ever seen, and at first that
natural human horror of the dead quite overcame her. She covered her
face and fell on a chair, and presently looked fearfully around her,
and everything was terrifying until she saw Skelton. All at once horror
of him was banished. She was no more afraid than if he had been lying
before her asleep.
Public-domain text, read in full here on John Shaqi.
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