“The object of life,” he said, speaking swiftly and earnestly, “is love. It begins with love; it ends with love. Without love life has no object. It is, then, mere aimless, wondering, puzzling existence during which the mind—like yours—struggles vainly to solve the riddle of why and wherefore. But those who have once had the truth pointed out to them are never in doubt. To them love explains all. Without love you cannot know life.” Salvin smiled, and then, as the young man departed, his face grew serious. He sat for a long time plunged in deepest thought. Strange memories must have crowded upon him, for his eyes softened, and the lines of his face relaxed their tension. But at the end of it he only sighed and shook his head gently and muttered, “It is toil! Not love! Toil!” Levine, meanwhile, was walking back to his work. He was a compositor in the printing-shop of the _Jewish Workingman_, and it had been his custom, for years, to meet his friend Salvin at the noonday meal in Weiss’s café, where they discussed those problems of life that perplex the minds of thinking men. One problem, Levine felt, had been solved—had been finally and definitely made clear. And the magic had all been worked by Miriam’s eyes—coal-black eyes that now seemed the alpha and omega of all his existence. For Levine, the object of life was Miriam. The sun rose in order that he might look upon her. It set in order that night might bring her sweet repose. The seasons—what were they but a varying background against which the panorama of love could unfold itself? He toiled—for Miriam. He lived—for Miriam. He thought—always of Miriam. Could there be a simpler explanation of the mysteries of existence? Poor old Salvin! Poor, blind pessimist! After so much pondering to achieve nothing better than that hopeless creed! Toil? Yes, but only as a step toward love—as a means toward the higher end. If man were created for toil, then man were doomed to everlasting animal existence. Whereas love raised him to higher planes, transformed him into a higher, nobler being. Could life desire a sublimer object? Levine trod on air. In his workshop the walls, the lights, the papers—all that surrounded him—sang to him of love. The presses chanted the melody of Miriam’s eyes all the livelong day. The very stones in the street seemed to him to sing it: “She is fair! She is fair! She is fair!” and “Love is all! Love is all! Love is all!” * * * * * One day they were married. Salvin was there, with a hearty clasp of the hand for his friend, and a kiss and a blessing for the bride. And laughingly Levine whispered into his ear, “It is love!” But Salvin was stubborn. He smiled and shook his head playfully. But what he whispered in return was, “It is toil!”