Children of the Dawn : Old Tales of GreeceBuckley, E. F. (Elsie Finnimore)
General
Children of the Dawn : Old Tales of Greece
Buckley, E. F. (Elsie Finnimore)
Mythology, Greek -- Juvenile literature
In the fair isle of Cyprus, long ago, lived a young sculptor named
Pygmalion. As a child he had been quick to see beauty in the forms
around him, and while he found nothing better, he would dig the clay
in the garden and sit for many a long hour happy in the shade of the
trees, modelling horses and cows and human figures, whilst his mother
was busied with her duties in the house. She, for her part, was glad
he had found something to amuse him and keep him out of mischief, for
he had no brothers or sisters to play with, and his father was dead,
so they two lived alone together in a great white house between the
mountains and the sea. From time to time she would come down into the
garden to look at his figures and praise them; for though they were
childish and crude, and sometimes grotesque, they were full of life
and promise, and being a wise woman, she knew that where Nature points
the way, it is well to make the road as smooth as may be. At first she
gave him no better material to work with than the clay he could dig
for himself, nor any master to teach him; for she wished to see how
long he would persevere, and how far he would get alone. There are
times, too, when a master can hinder more than he can teach.
One day when he was old enough, she took him down to the city below,
where the people were keeping the feast of Aphrodite, and they watched
the glad procession wind through the streets, with its choruses of
priests and maidens, and little children scattering roses in the way.
With the rest of the folk they followed the procession up the hill to
the shining temple, and Pygmalion stood beside his mother, and
wondered at the tapering white columns and the clouds of incense, and
all the colours and fair forms such as he had never seen before. The
picture of all these things he carried home in his mind, and thought
of them by day and dreamt of them by night, till they became almost as
real to him as the living forms he saw around him. Then he worked more
busily than ever at his modelling in the garden; but whereas before he
had been content to leave the figures he had made, standing them out
in rows for his mother to admire, now he was no longer pleased with
his work. He would look at the figure he had made and compare it with
the image in his mind, and he saw that while his ideal was fair and
beautiful beyond measure, his work was clumsy and rude. Then he would
set to work and alter his model. But whatever he did he was not
satisfied, and when his mother came down from the house to see him,
she found him with broken bits lying about him, and never a finished
figure to show her.
Public-domain text, read in full here on John Shaqi.
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