Children of the Dear CotswoldsHarker, L. Allen (Lizzie Allen)
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Children of the Dear Cotswolds
Harker, L. Allen (Lizzie Allen)
Cotswold Hills (England) -- Fiction
The country-bred child is a connoisseur in sounds, and here was one
quite new to him. Thor, too, heard it, and looked inquiring.
They moved away in its direction and came upon another door. This, too,
had its sunblind. This, too, was open, and the curious sound was coming
from the room within that door.
Paul dived underneath the sunblind and Thor followed him.
They found themselves in what appeared to be a small square porch
leading to the room within. It contained nothing but a fixed basin with
a tap and a towel-rail. Here at all events was water.
Paul ran some into the basin, and Thor put his paws on the edge, reared
his great body, sloped his head, and drank greedily. And all the time
that curious noise continued, that indescribable irregularly recurrent
sound, that was half tap, half click, with a mysterious scrape occurring
every thirty seconds or so. When Thor had finished his drink, Paul
formed his own hands into a cup and drank from them; he whispered to
Thor to lie down, and stood himself in the open doorway leading to the
room whence the sound came.
He forgot how his feet ached, he forgot how desperately hungry he was,
for he felt that, at last, he had come up with the adventure he had
been, questing all that long hot morning.
Never had he beheld such a delightful room. It was large and high, with
two big wide-open windows, which, however, were not like ordinary
windows, for they started ever so far from the ground, like those in a
studio. The panelling, where it could be seen for books, was white; but
there was no glare, for books were everywhere, books in many-hued
bindings, making irregular patches of subdued colour. Nearly all looked
as though they had sat long in their shelves, and wore the pleasant
faded tints that time brings to things cared-for and well-loved. There
was one line of vivid red that Paul recognised with a little thrill (for
we had it at home) as the "Elephant" edition of "_The man who made
Mowgli._" But these were on a high shelf, and the steps were too far
off for him to drag them over without making a noise. Besides, for
once, it was not the books that most interested Paul; it was what he
afterwards described as "a kind-of-man-ness" about the room.
"It was all such a jolly muddle and so comfortable."
If there were many books there were even more papers. He didn’t mean
newspapers and magazines, though there were plenty of them—it was the
quantities of letters that impressed him. Never had he seen so many
letters, not even at Christmas. They were strewed about everywhere, and
on the floor behind the great, double, knee-hole table, an open trunk
was lying full of them—stuffed in pell-mell, anyhow.
All the furniture was big and solid and comfortable. There were two
pianos—"a big one and a little one"; a huge sofa that invited repose on
the part of the slothful; great, deep chairs; steady tables; nothing to
upset anywhere; no tiresome "frippy" things.
Public-domain text, read in full here on John Shaqi.
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