"Of a Saturday" Mrs. Gegg "hearth-stoned" the whole of her back kitchen till its spotlessness rivalled that of the whitewashed walls. The placid expectancy of Saturday evening had settled on the village. Mary, tired by her long day’s painting, was resting upon the slippery horsehair sofa, and meditating on the impossibility of reproducing on canvas the brilliant transparency of young green larches, when her landlady burst into the room, positively breathless with passion. "Just you come ’ere, miss, and see what that, there mishtiful young imp o’ darkness been and done: I’ll warm ’im so’s ’e shan’t forget it in a ’urry!" Mary hastily followed the woman into the sacred back kitchen, and there in a corner near the pump crouched Jethro, one arm curved above his head to protect it from a renewal of the rain of blows that had just fallen, while the floor was decorated by a monochrome landscape, painted by Jethro with Mrs. Gegg’s blue-bag. Mary gazed at it with astonishment. With strong certainty of touch the child had splashed in by means of the coarse blue the stretch of hills that met his eyes every time he went out at Mrs. Gegg’s front door. The queer impressionist sketch had atmosphere, distance, and, above all, perspective. "Oh, Mrs. Gegg!" cried Mary, holding back the angry little woman with her strong arms as she was advancing across the picture to wreak fresh vengeance upon Jethro, "leave it! leave it till Monday, and I’ll give you blue and whitening to last you a twelve-month. It is a wonderful picture! Some day you will be proud of him. He couldn’t help it. We none of us gave him anything to draw on. Why didn’t you tell me, child, that you could draw like this?" Astonishment was cooling Mrs. Gegg’s wrath. She had heard, nay, upon one occasion seen, that a pavement artist in distant Gloucester earned good money, though it was but a poor trade. Then there was Miss Cardross, always messing with paints and things;—perhaps she really knew something about it. "If you will leave the picture where it is till Monday," continued Mary, "I will ride over to Colescombe to-morrow and persuade an artist friend to come and look at it, and we will see what can be done for Jethro. Please, Mrs. Gegg!" And Mary got her way. * * * * * "You must leave him where he is," said the great art critic to Mary when he had inspected the frescoed floor. "He may be a genius. I think he is. All the more reason to leave him alone just now. Give him paper and paints—lots of them; don’t lose sight of him and we’ll help him when the right time comes. It hasn’t come yet."