Children of the Ghetto: A Study of a Peculiar PeopleZangwill, Israel
Religion
Children of the Ghetto: A Study of a Peculiar People
Zangwill, Israel
Jewish fiction; Jews -- England -- London -- Fiction; London (England) -- Fiction
"Yes, but it won't be javelins the people will throw," murmured Hamburg,
adding aloud: "I suppose you have written the music of this overture."
"No, I cannot write music," said Pinchas.
"Good heavens! You don't say so?" gasped Gabriel Hamburg. "Let that be
my last recollection of you! No! Don't say another word! Don't spoil
it! Good-bye." And he tore himself away, leaving the poet bewildered.
"Mad! Mad!" said Pinchas, tapping his brow significantly; "mad, the old
snuff-and-pepper-box." He smiled at the recollection of his latest
phrase. "These scholars stagnate so. They see not enough of the women.
Ha! I will go and see my actress."
He threw out his chest, puffed out a volume of smoke, and took his way
to Petticoat Lane. The compatriot of Rachel was wrapping up a scrag of
mutton. She was a butcher's daughter and did not even wield the chopper,
as Mrs. Siddons is reputed to have flourished the domestic table-knife.
She was a simple, amiable girl, who had stepped into the position of
lead in the stock jargon company as a way of eking out her pocket-money,
and because there was no one else who wanted the post. She was rather
plain except when be-rouged and be-pencilled. The company included
several tailors and tailoresses of talent, and the low comedian was a
Dutchman who sold herrings. They all had the gift of improvisation more
developed than memory, and consequently availed themselves of the
faculty that worked easier. The repertory was written by goodness knew
whom, and was very extensive. It embraced all the species enumerated by
Polonius, including comic opera, which was not known to the Danish
saw-monger. There was nothing the company would not have undertaken to
play or have come out of with a fair measure of success. Some of the
plays were on Biblical subjects, but only a minority. There were also
plays in rhyme, though Yiddish knows not blank verse. Melchitsedek
accosted his interpretess and made sheep's-eyes at her. But an actress
who serves in a butcher's shop is doubly accustomed to such, and being
busy the girl paid no attention to the poet, though the poet was paying
marked attention to her.
"Kiss me, thou beauteous one, the gems of whose crown are foot-lights,"
said the poet, when the custom ebbed for a moment.
"If thou comest near me," said the actress whirling the chopper, "I'll
chop thy ugly little head off."
"Unless thou lendest me thy lips thou shalt not play in my comedy,"
said Pinchas angrily.
"_My_ trouble!" said the leading lady, shrugging her shoulders.
Public-domain text, read in full here on John Shaqi.
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