Children of the Ghetto: A Study of a Peculiar PeopleZangwill, Israel
Religion
Children of the Ghetto: A Study of a Peculiar People
Zangwill, Israel
Jewish fiction; Jews -- England -- London -- Fiction; London (England) -- Fiction
Pinchas strode forth into the street and lit a new cigar in his
exultation. How lucky the play was not yet written! Now he would be able
to make it all turn round the axis of the besom. "It shall be all
besom!" His own phrase rang in his ears like voluptuous marriage bells.
Yes, it should, indeed, be all besom. With that besom he would sweep all
his enemies--all the foul conspirators--in one clean sweep, down, down
to Sheol. He would sweep them along the floor with it--so--and grin; he
would beat time to their yells of agony--so--and laugh; he would beat
them over the heads--so--and roar; he would lean upon it in statuesque
greatness--so--and thrill; he would sweep away their remains with
it--so--and weep for joy of countermining and quelling the long
persecution.
All night he wrote the play at railway speed, like a night
express--puffing out volumes of smoke as he panted along. "I dip my pen
in their blood," he said from time to time, and threw back his head and
laughed aloud in the silence of the small hours.
Pinchas had a good deal to do to explain the next day to the
actor-manager where the fun came in. "Thou dost not grasp all the
allusions, the back-handed slaps, the hidden poniards; perhaps not," the
author acknowledged. "But the great heart of the people--it will
understand."
The actor-manager was unconvinced, but he admitted there was a good deal
of besom, and in consideration of the poet bating his terms to five per
cent. of the receipts he agreed to give it a chance. The piece was
billed widely in several streets under the title of "The Hornet of
Judah," and the name of Melchitsedek Pinchas appeared in letters of the
size stipulated by the finger on the nose.
But the leading actress threw up her part at the last moment, disgusted
by the poet's amorous advances; Pinchas volunteered to play the part
himself and, although his offer was rejected, he attired himself in
skirts and streaked his complexion with red and white to replace the
promoted second actress, and shaved off his beard.
But in spite of this heroic sacrifice, the gods were unpropitious. They
chaffed the poet in polished Yiddish throughout the first two acts.
There was only a sprinkling of audience (most of it paper) in the
dimly-lit hall, for the fame of the great writer had not spread from
Berlin, Mogadore, Constantinople and the rest of the universe.
Public-domain text, read in full here on John Shaqi.
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