Meanwhile the short autumn twilight came on; the crosses grew still
less distinct. The old professor and Pan Hvastovski conducted Pani
Emilia to the cemetery gate without resistance on her part. Pan
Stanislav repeated once more, "Till we meet, dear child!" and passed
out.
Beyond the gate he thought: "It is fortunate that the mother is
unconscious, for what a terrible thought to leave a child there alone.
The dead forsake us, but we too forsake them."
In fact, he saw from a distance the carriage in which Pani Emilia was
riding away, and it seemed to him that such an order of things in the
world has in it something revolting. Still when he had sat down alone
in his droshky, he felt a moment of selfish relief, flowing from the
feeling that a certain torturing and oppressive act had been ended,
after which would come rest. On returning to his own dwelling, it
appeared empty, without a ray of gladness, without consolation or
hope; but when at tea, he stretched himself on the sofa, an animal
delight in repose after labor took possession of him, with a feeling
of solace, and even as it were of satisfaction, that the funeral was
over and Litka was buried. He remembered then the opinion of a certain
thinker: "I know no criminals; I know only honest people, and they are
disgusting." Pan Stanislav seemed to himself repulsive at that moment.
In the evening he remembered that it was needful to inquire about Pani
Emilia, whom Marynia was to take for some weeks to her own house. While
going out, he saw a photograph of Litka on the table, and kissed it. A
quarter of an hour later he rang the bell at the Plavitskis'.
The servant told him that Plavitski had gone out, but that Professor
Vaskovski and Father Hylak were there beside Pani Emilia. Marynia
received him in the drawing-room; her hair was badly dressed, her eyes
red; she was almost ugly. But her former way of meeting him had changed
entirely, as if she had forgotten all offences in view of more unhappy
subjects.
"Emilia is with me," whispered she, "and is in a bad state; but it
seems that at least she understands what is said. Professor Vaskovski
is with her. He speaks with such feeling. Do you wish to see Emilia
absolutely?"
"No. I have come merely to inquire how she feels, and shall go away
directly."
"I do not know--she might like to see you. Wait a moment; I will go
and say that you are here. Litka loved you so; for that reason alone
perhaps it would be pleasant for Emilia to see you."
"Very well."
Marynia went to the next chamber; but evidently did not begin
conversation at once, for to Pan Stanislav there came from the
door, not her voice, but that of Vaskovski, full of accents of deep
conviction, and also, as it were, of effort, striving to break through
the armor of insensibility and suffering.
Public-domain text, read in full here on John Shaqi.
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