Panna Kraslavski was dressed in white; in spite of her red eyes, she looked alluring. There was in her, indeed, a certain womanly charm, resting on a wonderful, almost dreamy repose. She recalled somewhat the figures of Perugini. At times she grew bright, like an alabaster lamp, in which a flame flashes up on a sudden; after a while she paled again, but paled not without charm. Dressed in a thin white robe, she seemed more shapely than usual. Pan Stanislav, looking at her, thought that she might have a heart which was dry enough, and a dry enough head, but she could be a genteel wife, especially for Mashko, who valued social gentility above everything else. Their manner toward each other seemed like a cool and pale day, in which the sun does not burn, but in which also a storm is not threatening. They were sitting at the end of the drawing-room, not too near, but also not too far, from the rest of the company; they occupied themselves with each other no more and no less than was proper. In his conversation with her as much feeling was evident as was required, but, above all, the wish to appear a "correct" betrothed; she paid him on her part in the same coin. They smiled at each other in a friendly way. He, as the future leader and head of the house, spoke more than she; sometimes they looked into each other's eyes,--in a word, they formed the most correct and exemplary couple of betrothed people that could be imagined, in the society sense of the term. "I should not have held out," said Pan Stanislav to himself. Suddenly he remembered that while she was sitting there in conventional repose, white, smiling, the poor little doctor, who could not "tear his soul from her," was in equal repose somewhere between the tropics turning to dust, under the ground, forgotten, as if he had never existed; and anger bore him away. Not only did he feel contempt for the heart of Mashko's betrothed, but that repose of hers seemed now bad taste to him,--a species of spiritual deadness, which once had been fashionable, and which, since they saw in it something demonic, the poets had struck with their thunderbolts, and which, in time, had grown vulgar, and dropped to be moral nonentity and folly. "First of all, she is a goose, and, moreover, a goose with no heart," thought Pan Stanislav. At that moment Mashko's alarm at the noble conduct of those ladies grew clear to him to such a degree that Mashko rose in his esteem as a man of acuteness.