The Polanyetskis made new acquaintances at the Osnovskis,--namely,
Pani Bronich and her sister's daughter, Panna Castelli; these ladies
had arrived for the "summer carnival" in Warsaw, and were living in
the same villa, which the late Pan Bronich had sold to the Osnovskis,
with the reservation of one pavilion for his wife. Pani Bronich was a
widow after Pan Bronich, whom she mentioned as the last relative of the
Princes Ostrogski, and as the last descendant of Rurik. She was known
in the city also under the title of "Sweetness;" for this name she was
indebted to the fact that, when talking, especially to persons whom she
needed, she became so pleasing that it seemed as if she were speaking
through a lump of sugar held in her mouth. Marvels were told of her
lies. Panna Castelli was the daughter of Pani Bronich's sister, who, in
her day, to the great offence of her family and of society, married an
Italian, a music-teacher, and died in labor, leaving a daughter. When,
a year later, Pan Castelli was drowned at Venice, in the Lido, Pani
Bronich took her niece, and reared her.
Panna Lineta was a beauty, with very regular features, blue eyes,
golden hair, and a complexion too fair, for it was almost like
porcelain. Her eyelids were rather heavy; this gave her a dreamy look,
but that dreaminess might seem also concentration. It might be supposed
that she was a person who led an immensely developed inner life, and
hence bore herself indifferently toward all that surrounded her. If
any man had not come on that idea unaided, he might be sure that Pani
Bronich would help him. Pani Osnovski, who had passed through the
grades of enchantment over her cousin, said of Lineta's eyes, "They are
as deep as lakes." The only question was what is at the bottom; and it
was precisely this secret which gave her charm to the young lady.
The Osnovskis came with the intention of remaining in Warsaw; but Pani
Aneta had not seen Rome in vain. "Art, and art!" said she to Pani
Marynia; "I wish to know of nothing else." Her professed plan was to
open an "Athenian" salon; but her secret one was to become the Beatrice
of some Dante, the Laura of some Petrarch, or, at least, something in
the nature of Vittoria Colonna for some Michael Angelo.
"We have a nice garden with the villa," said she. "The evenings will
be beautiful, and we shall pass them in such Roman and Florentine
conversations. You know" (here she raised her hands to the height
of her shoulders, and began to move them), "the gray hour, a little
twilight, a little moonlight, a few lamps, a few shadows from the
trees; we shall sit and talk in an undertone about everything,--life,
feelings, art. In truth, that is worth more than gossip! My Yozio,
perhaps thou wilt be annoyed; but be not angry, do this for my sake,
and, believe me, it will be very nice."
"But, my Anetka, can I be annoyed by what pleases thee?"
"Especially now, while Lineta is with us; she is an artist in every
drop of her blood."
Public-domain text, read in full here on John Shaqi.
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