The frugality and modesty of his court have already been referred to. The
later Mongols were fond of a lavish display, and expended large sums on
banquets and amusements. At Pekin one of their emperors had erected in the
grounds of the palace a lofty tower of porcelain, at enormous expense, and
had arranged an ingenious contrivance at its base for denoting the time.
Two statues sounded a bell and struck a drum at every hour. When Hongwou
saw this edifice, he exclaimed, "How is it possible for men to neglect the
most important affairs of life for the sole object of devoting their
attention to useless buildings? If the Mongols in place of amusing
themselves with these trifles had applied their energies to the task of
contenting the people, would they not have preserved the scepter in their
family?" He then ordered that this building should be razed to the ground.
Nor did this action stand alone. He reduced the size of the harem
maintained by all the Chinese as well as the Mongol rulers, and he
instituted a rigid economy in all matters of state ceremonial. Changtu,
the Xanadu of Coleridge, the famous summer palace of Kublai, had been
destroyed during the campaigns with the Mongols, and Hongwou
systematically discouraged any attempt to embellish the northern capital,
Pekin, which, under the Kin and Yuen dynasties, had become identified with
foreign rulers. Pekin, during the whole of the Ming dynasty, was only a
second-rate city, and all the attention of the Ming rulers was given to
the embellishment of Nankin, the truly national capital of China.
Public-domain text, read in full here on John Shaqi.
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