Porcelain -- Collectors and collecting -- United States; Pottery -- Collectors and collecting -- United States
In Newport, in Bristol, in Providence, in Boston—wherever ships could
sail from port, and wherever favoring winds wafted them back again, vast
stores of this old blue Canton ware have been and can now be found;
“tall coffee-pots, with straight spouts, looking like lighthouses with
bowsprits; short, clumsy teapots with twisted handles and lids that
always fall off;” jugs, tureens, helmet pitchers, and sauce-boats. At
the recent disbandment of the family and selling of the home of one of
the old presidents of Brown University, a score of old Canton platters
were found behind trunks and old furniture under the eaves in the
garret. Too heavy, too cumbersome to be used on our modern tables, they
were banished to the garret rafters, and there prisoned, were forgotten.
In past years when roast-pig and giant turkeys were served on that
hospitable board, these great platters proudly held their steaming
trophies; but now we have changed all that—the turkey is cut up
surreptitiously in some unseen corner, and the blue Canton platters,
dusty and cobwebbed, lie forgotten in the garret.
These vast stores of blue Canton were doubtless part of the cargo of the
Ann and Hope, the beautiful and stanch ship that in 1799 bore into
Providence “one hundred and thirty boxes of chinaware in tea and dinner
sets.” In 1800 she again brought into port three hundred and sixty-two
boxes and one hundred and twenty-four rolls of chinaware, together with
such other delightful Oriental importations as two bales of gauze
ribbons, seven boxes of lacquered ware, five hundred Chinese umbrellas,
sixty bundles of cassia and five boxes of sweetmeats, forty jars of
rock-candy, and twenty tubs of sugar-candy. In 1802 came on the Ann and
Hope one thousand and forty-eight boxes of chinaware, but, alas! no
sugar-candy, or sweetmeats for Providence lads and lasses, but instead
forty disappointing boxes of rhubarb.
Public-domain text, read in full here on John Shaqi.
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