During the triumphal journey of Lafayette through this country in 1824, ladies, in honor of him, wore sashes and belt-ribbons printed with his name and likeness, gloves with his portrait stamped upon the back, and medallions with laudatory inscriptions relating to him fastened upon their neck-ribbons and necklaces; while men and boys wore Lafayette medals, medallions, and buttons. Of all these tokens few now remain; but the various Lafayette plates and pitchers form lasting mementos of the visit of the “Nation’s Guest.” Few families in New England appear to have had more than two or three of the Lafayette pieces, but in the vicinity of New York persons purchased whole dinner services, especially of the “Landing” pattern. Mrs. Roebling owns the remains of an entire set purchased by her father, General Warren. Mr. William C. Prime also owns an entire service. La Grange, the home of Lafayette, was a familiar scene to Americans, for many transparencies and paintings of the château were exhibited during Lafayette’s tour in 1824, and two views of it appear on plates and platters. With these I continue the list of historical designs and subjects. 68. Lafayette. La Grange. Enoch Wood & Sons. This is a dingy and poorly printed view of the gloomy entrance to the château, with its great fir-trees, an engraving of which is seen in Cloquet’s “Recollections of Lafayette.” The blue is good in tint, though the print is indistinct. It has a poor, confused shell border. On the back the stamp of Enoch Wood & Sons, and the mark “La Grange, the Home of Lafayette.” A plate with this design is here shown. [Illustration: La Grange Plate.] 69. Lafayette. La Grange 2. Wood.