Porcelain -- Collectors and collecting -- United States; Pottery -- Collectors and collecting -- United States
The heroes and the naval battles of the War of 1812 furnished manifold
subjects for the designs printed on a vast number of mugs and pitchers.
They were made and printed at the Liverpool and Staffordshire pot-works
to supply the American trade, and were imported in great numbers to this
country. English potters appeared to have none of that form of patriotic
pride and independence that would prevent them from celebrating and
perpetuating the virtues and victories of their late enemies, or hinder
them from printing inscriptions and verses insulting to their native
land and their fellow-countrymen; they were plainly and unsentimentally
mercenary. These portraits, mottoes, and battle-scenes appear in various
combinations of subjects, sometimes in juxtaposition with Washington
designs. Occasionally a mammoth pitcher is found—a dozen pitchers rolled
into one—decorated with a dozen different but generic prints. Such is
the great heroic vessel known as the “Historical Pitcher of the War of
1812.” It was made by Enoch Wood & Sons of Burslem, Staffordshire,
England, about 1824, by the order of Horace Jones, Esq., of Troy, N. Y.
It is now owned by his grandson, Horace Jones Richards, Esq., of the
same city. It stands twenty inches in height, and measures twenty inches
from the end of the spout to the extreme point of the handle. The body
is eighteen inches in diameter—a foot and a half, and it holds eleven
and a half gallons. It has an embossed border around the top, and is
decorated with a coarse design in copper-lustre and green. On the front
of the pitcher is the name of the purchaser, Horace Jones, and around
the body are various prints that are often seen singly on other and
smaller pitchers. In front, about five inches above the base of the
pitcher, is a small projection or knob. This served as a second handle
by which to carry the pitcher (for it is a great weight when filled—if
it ever is filled), and it formed also a support to rest on the edge of
a smaller vessel when pouring from the pitcher. On either side of this
small handle are portraits of Washington and Adams. There are on one
side of the great pitcher-body portraits of Captain Jones, of the
Macedonian, Major-General Brown, of the Niagara campaign, Commodore
Bainbridge, of the Constitution. Below these portraits a circle of
prints representing the Constitution escaping from the British fleet;
Commodore Macdonough’s victory on Lake Champlain, and a large American
eagle with the motto, “E Pluribus Unum.” On the other side of the
pitcher are the portraits of Commodore Decatur, Commodore Perry, and
Captain Hull, of the Constitution; below are the engagements between the
Chesapeake and Shannon off Boston Harbor, June 1, 1813, and Commodore
Perry’s victory on Lake Erie. Below the large handle on the right are
two views of the manufactory and the names of the makers, and on the
left a naval monument with flags and motto, “We have met the enemy and
they are ours.”
Public-domain text, read in full here on John Shaqi.
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