Porcelain -- Collectors and collecting -- United States; Pottery -- Collectors and collecting -- United States
We looked at each other in amazement at this strange specimen of Yankee
humanity—that is, we did it whenever his gaze was averted long enough to
give us any chance to look at each other. We sank back in despair of
ever receiving a definite description of the spinet, and above all of
any china—that most indescribable of country possessions. We feebly
tried to parry him with some of the skill which he himself displayed,
but failed ignominiously under the scathing sharpness of this “lawyer”
of thirty years’ experience. We finally answered his rhyming questions
with as much directness and truth as the chief witness in a murder
trial. As we alighted from the wagon and were about to enter the Maybee
door, Darius pulled me back by the sleeve and whispered:
“Ye mustn’t mind Miss Maybee
If ye find her a leetle cross;
She ain’t at all e-lab-ure-ate,
Any more than my old horse.
She won’t show any man-ures
When you ask to see her pianure.”
A sharp-featured young woman advanced to meet us. Her hair bore two
partings, an inch apart, and the middle lock was strained painfully
back. Her face was curiously mottled with yellow patches which showed
plainly that dyspepsia and biliousness had marked her for their own. She
looked so sour, so sharp, so devoid of “man-ures” that we quailed
visibly before her keen black eye. What new specimen of humanity had we
here? Into what world was our China and spinet-hunting carrying us?
We began the conversation very mildly by saying that we had heard that
Mrs. Maybee had some china that she wished to sell.
“Then you’ve heard a lie,” the acrid voice broke in.
“But surely we have heard that you have a piano to sell?”
“Well, I ain’t. I’ve got a musical combination, but I ain’t so awful
anxious to sell it.”
For minutes we stood there, facing this resentful being, who showed no
desire to have us seat ourselves, while we pleaded, we praised, we
cajoled, we apologized, and we questioned, until, at last, she allowed
us to see her precious spinet. We entered the gloomy “best room” where
it stood, gave one glance at it, and sank on the haircloth sofa. It was
a _melodeon_—a forlorn, broken-down, old _melodeon_—to which some
farm-tinker had added an oblong frame strung with catgut and wire
strings, in the apparent hope of forming some instrument of the nature
of an Æolian-harp.
Public-domain text, read in full here on John Shaqi.
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