Porcelain -- Collectors and collecting -- United States; Pottery -- Collectors and collecting -- United States
“Ye don’t hang ’em on the wall,
Them cracked old kitchen dishes!
An’ keep a frac-tured pitcher
As if ’t was act-ure-ly precious!
They say that city folks
Is mighty extrav-ure-gant,
But with such test-ure-mony
I’m willin’ to swear they ain’t.
There ain’t a party in this town
So stingy an’ such a non-com
As to hang that pitcher on the wall,
Lookin’ ’s if ’t was jest goin’ ter fall,
An’ the hole showin’ in the botturm.”
Many ghosts has our china hunting revealed to us; the ghosts of the
past, the visions and dreams that never become realities, the inexorable
fate, the sad kismet of New England life. Such was the story of the
house of Hartington, a story sadly typical of many New England homes; a
story which the sight of these little lettered and escutcheoned cups
always retells to us.
A description had been given to us of an old town with old houses and
old people and old china, and after a gloomy night in a hideous country
hotel we started out to find some townsman of whom we could hire a horse
and carriage of some or any sort to carry us to Rindge and Anthony
Hartington’s house—the oldest house of all.
A thin, auburn-haired, freckle-faced Yankee, about twenty-one years old,
answered our questions with the greatest interest, and finally offered
us the use of his own horse and open wagon for the whole day for two
dollars. “And I’ll drive fer ye, too,” he added, with enthusiasm. “Ye’d
never find old Hartington’s if ye took the hoss yerself, an’ I do’ ‘now
as I can neither, without some pretty tall huntin’ and questionin’.”
Public-domain text, read in full here on John Shaqi.
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