Porcelain -- Collectors and collecting -- United States; Pottery -- Collectors and collecting -- United States
The most incongruous, most inadequate apartment on this floor was the
pantry, a little dark box of a closet, to which one small greenish glass
window dispensed a dingy light. We had intended to ask for our dinner,
since it was then “high noon,” but a sight of this cooking sanctum
dispelled all thought or wish for dinner. It was so cobwebby, so dusty,
so poor-looking, that we could not wish to eat any dinner that could
issue from its dark shadows. We found afterward, beyond the disused
kitchen, a large square room which, in the early days of the prosperity
and good cheer of this house, had doubtless been a pantry, but was now
filled with broken grindstones, crushed Dutch ovens, fragments of
crockery, pails and pans, “peels” and “slices,” yarn-winders, and part
of an old rose still. Indeed, through this entire house, nothing could
ever have been wholly destroyed or carried away, but was thrown, in its
broken, grimy desuetude, into some neglected closet or room to gather
years of dust and dirt, as if the owner, too poor to buy new furniture,
still clung to the shattered remnants of past plenty.
We rescued from the dingy little pantry, from among the litter of broken
cups and plates and knives, bunches of dried herbs, empty spice-boxes,
cracked woodenware, and greasy pans, a few treasures which we spread out
on the kitchen table—half a dozen “Pain’s Hill” plates (a favorite
pattern throughout New England), two open-work bordered Leeds platters,
a dear little boat-shaped queen’s-ware creamer with dainty twisted
handles, two helmet pitchers, two teacups, and half a dozen plates of a
set of old Lowestoft china bearing a pretty armorial device and
initials. We hardly dared ask to buy the latter pieces until we saw the
evident contempt the farm-wife had for them. Nothing so American as a
Lafayette or Pilgrim plate was to be seen.
Public-domain text, read in full here on John Shaqi.
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