Porcelain -- Collectors and collecting -- United States; Pottery -- Collectors and collecting -- United States
A corner cupboard seems to be, like all old-fashioned furniture, well
adapted for the express purpose for which it was made. It is not a
modern pattern combination china-closet, washstand, and refrigerator all
in one, but for the simple purpose of china-holding and china-showing it
is perfect. The old china never looks prettier (except when on the
table) than in its wonted home—a corner cupboard or beaufet. The narrow
scalloped or crenated shelves with their wider rounded projections at
the extreme back seem expressly shaped to show each piece to its best
advantage. Even the Gothic small-paned glass door, when present, does
not hide the dainty pieces. The apse-shaped, shell-fluted top with its
pillared frame and carved sunbursts, and its surmounting brass eagles or
balls, seems a fitting roof to shelter the fragile ingatherings.
The old china seems always to look better and more at home in an
old-time setting. On page 44 is shown a shallow dresser, an adaptation
of an old kitchen fashion, with narrow ledges of shelves hung with old
pewter porringers, which proves also a delightful way to show to plain
view the rows of blue and white plates, especially the dainty gems of
“cup-plates,” which are so treasured and loved by the china hunter that
there never seems to be any spot altogether worthy to hold and display
them quite as they ought to be shown. Of course, large articles—what
were called in olden times “hollow-ware”—cannot be placed on a dresser;
tiny pepper-pots, salt-cellars, tea-caddies, very small creamers, and
plates and platters set on edge must form the dresser’s only burden.
[Illustration: China Steps.]
Public-domain text, read in full here on John Shaqi.
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