Chinese pottery and porcelain; vol. 1. Pottery and early waresHobson, R. L. (Robert Lockhart)
History
Chinese pottery and porcelain; vol. 1. Pottery and early wares
Hobson, R. L. (Robert Lockhart)
Porcelain, Chinese; Pottery, Chinese
Though this great porcelain town has traded with the whole world for
several centuries, "bringing great profit to the Empire and to itself
great fame" (to quote from the _T´ao lu_), it seems to have been rarely
visited by Europeans, and first-hand descriptions of it are few. We
are fortunate, however, in possessing in the letters[329] of Père
d'Entrecolles an intimate account of the place and its manufactures,
written by a Jesuit missionary who was stationed in the town in the early
years of the eighteenth century. These interesting letters are so well
known that I shall not quote them extensively here. The picture they give
of the enormous pottery town, with its population of a million souls and
the three thousand furnaces which, directly or indirectly, provided a
living for this host, and of the arresting spectacle of the town by night
like a burning city spouting flames at a thousand points, a description
which inspired the oft-quoted lines in Longfellow's "Keramos," shows us
the place in the heyday of its prosperity.
A more modern but scarcely less interesting account of Ching-tê Chên and
the surrounding country appears in a Consular report, made in 1905, of
a _Journey in the Interior of Kiangsi_,[330] from which I have taken the
following paragraphs:
"During the last forty-five years Ching-tê Chên has had time to recover,
in a very large measure, from this last calamity, but it is said to be not
so busy or so populous as before the T´ai p´ing rebellion.
"Everything in Ching-tê Chên either belongs to, or is altogether
subordinate to, the porcelain and earthenware industry. The very
houses are for the most part built of fragments of fireclay (called
'_lo-p´ing-t´u_') that were once part either of old kilns or of the
fireclay covers in which porcelain is stacked during firing. The river
bank is covered for miles[331] with a deep stratum of broken chinaware and
chips of fireclay, and, as far as one could judge, the greater part of the
town and several square miles of the surrounding country are built over,
or composed of, a similar deposit. A great industry, employing hundreds
of thousands of hands, does not remain localised in a single spot for 900
years without giving to that spot a character of its own.
"This is perhaps what struck me most forcibly in Ching-tê Chên--that it is
unlike anything else in China. The forms, the colour, the materials used
in the buildings, the atmosphere, are somewhat reminiscent of the poorer
parts of Manchester, but resemble no other large town that I have ever
visited.
Public-domain text, read in full here on John Shaqi.
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