Chinese pottery and porcelain; vol. 1. Pottery and early waresHobson, R. L. (Robert Lockhart)
History
Chinese pottery and porcelain; vol. 1. Pottery and early wares
Hobson, R. L. (Robert Lockhart)
Porcelain, Chinese; Pottery, Chinese
WITH the Sung dynasty firmly established in 960 A.D., the Chinese Empire
entered upon a long period of prosperity rendered glorious by the
cultivation of the arts of peace. It is true that the boundaries of the
Empire were contracted and the Tartar tribes on the north-west had made
good their independence and remained a constant menace to the frontiers
of China. In 1127 the dam was broken and the desert warriors, no longer
to be kept in check by diplomacy or force, burst upon Northern China and
drove the peace-loving Sung from their capital, the modern K´ai-fêng Fu
in Honan. The Emperor Kao Tsung and his Court fled across the Yangtze to
their new capital at Hang Chou, where the dynasty continued under the name
of the Southern Sung until 1279. The description given by Marco Polo of
Hang Chou, which he considered, even in 1280, to be "beyond dispute the
finest and the noblest city in the world," presents a wonderful picture of
the refinement and luxury of the Sung civilisation. The great city had its
network of canals and its twelve thousand stone bridges, its flourishing
guilds of craftsmen, its merchant princes who lived "nicely and delicately
as kings," its three hundred public baths of hot water, its ten principal
markets, its great lake lined with houseboats and barges, and its
streets thronged with carriages. The citizens themselves were peaceful
and orderly, neither wearing arms nor keeping them in their homes, and
their cordiality to foreigners was hardly less than the good will and
friendliness which marked their relations to one another.
Public-domain text, read in full here on John Shaqi.
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