Chinese pottery and porcelain; vol. 2. Ming and Ch'ing PorcelainHobson, R. L. (Robert Lockhart)
History
Chinese pottery and porcelain; vol. 2. Ming and Ch'ing Porcelain
Hobson, R. L. (Robert Lockhart)
Porcelain, Chinese; Pottery, Chinese
Reflecting on the insignificance of the Shun Chih porcelains, one is
tempted to ask how it is that the celebrated Lang T’ing-tso, whose
name is usually associated with the beautiful Lang yao of the K’ang
Hsi period, did not succeed in raising the wares of this period to a
more conspicuous level. Lang T’ing-tso was governor of Kiangsi from
1654 and viceroy of Kiangsi and Kiangnan from 1656–1661 and again from
1665–1668. His name is mentioned (according to Bushell,[259] at any
rate, for I have not been able to verify the statement) in connection
with the efforts to make the dragon bowls for the palace in 1654; but
we shall return to this point in discussing the Lang yao.
Meanwhile, we pass to the reign of K’ang Hsi [chch 2] (1662–1722),
the beginning of what is to most European collectors the greatest
period of Chinese porcelain, a period which may be roughly dated from
1662–1800. Chinese literary opinion gives the preference to the Sung
and Ming dynasties, but if monetary value is any indication the modern
Chinese collector appreciates the finer Ch’ing porcelains as highly
as the European connoisseur. These latter wares have, at any rate,
the advantage of being easily accessible to the Western student, and
they are not difficult to obtain provided one is ready to pay the high
price which their excellence commands. It will be no exaggeration to
say that three quarters of the best specimens of Chinese porcelain in
our collections belong to this prolific period, and they may be seen
in endless variety in the museums and private galleries of Europe and
America, nowhere perhaps better than in London itself.
[Illustration: PLATE 88
Two examples of the underglaze red (_chi hung_) of the K’ang
Hsi period (1662–1722), sometimes called _lang yao_
Fig. 1.--Bottle-shaped Vase of dagoba form with minutely crackled
_sang-de-bœuf_ glaze with passages of cherry red. The glaze
ends in an even roll short of the base rim, and that under the
base is stone-coloured and crackled. Height 8½ inches.
_British Museum._
Fig. 2.--Bottle-shaped Vase with crackled underglaze red of deep
crushed strawberry tint. The glaze under the base is pale green,
crackled. Height 10¾ inches.
_Alexander Collection._]
Public-domain text, read in full here on John Shaqi.
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