Chinese pottery and porcelain; vol. 2. Ming and Ch'ing PorcelainHobson, R. L. (Robert Lockhart)
History
Chinese pottery and porcelain; vol. 2. Ming and Ch'ing Porcelain
Hobson, R. L. (Robert Lockhart)
Porcelain, Chinese; Pottery, Chinese
In some cases the origin of a particular glaze has been recorded, and
within certain limits the style of the piece will guide us in assessing
its age; but how often must we be content with some such non-committal
phrase as “early eighteenth century,” which embraces the late K’ang
Hsi, the Yung Chêng and the early Ch’ien Lung periods? On the other
hand, the careful student observes certain points of style and finish,
certain slight peculiarities of form which are distinctive of the
different periods, and on these indefinite signs he is able to classify
the doubtful specimens. To the inexpert his methods may seem arbitrary
and mysterious, but his principles, though not easy to enunciate, are
sound nevertheless.
[Illustration: Plate 109.--Figure of Shou Lao, Taoist God of
Longevity.
Porcelain painted with _famille verte_ enamels. K’ang Hsi
period (1662–1722). Height 17¼ inches. _Salting Collection_
(_V. & A. Museum_).]
We have already had occasion to discuss a few of the K’ang Hsi
monochromes in dealing with the question of _lang yao_. But besides
the _sang de bœuf_ there is another rare and costly red to which the
Americans have given the expressive name of “peach bloom.” Since their
first acquaintance with this colour in the last half of the nineteenth
century,[323] American collectors have been enamoured of it, and as
they have never hesitated to pay vast sums for good specimens, most
of the fine “peach blooms” have found their way to the United States,
and choice examples are rare in England. “The prevailing shade,” to
quote from Bushell’s description, “is a pale red, becoming pink
in some parts, in others mottled with russet spots, displayed upon a
background of light green celadon tint. The last colour occasionally
comes out more prominently, and deepens into clouds of bright apple
green tint.” The Chinese, in comparing the colour, have thought of the
apple rather than the peach; it is _p’in-kuo hung_ (apple red), and
the markings on it are _p’in-kuo ch’ing_ (apple green), and _mei kuei
tzŭ_ (rose crimson). Another Chinese name for the colour is _chiang-tou
hung_ (bean red), in allusion to the small Chinese kidney-bean with its
variegated pink colour and brown spots.
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