Chinese pottery and porcelain; vol. 2. Ming and Ch'ing PorcelainHobson, R. L. (Robert Lockhart)
History
Chinese pottery and porcelain; vol. 2. Ming and Ch'ing Porcelain
Hobson, R. L. (Robert Lockhart)
Porcelain, Chinese; Pottery, Chinese
Most of these rounded forms have counterparts among the square and
polygonal vases which are made in moulds or built up by the difficult
process of joining together flat bats of clay. The square vases made
by the latter method were a source of much trouble to the potters
owing to the danger of imperfect jointing or of warping in the kiln.
Fig. 1 of Plate 104 illustrates an effective type of the square
vase with gracefully tapering body, the four sides of which are so
often appropriately decorated with the flowers of the four seasons.
Occasionally the angles are flattened, giving an irregular octagonal
form. Another form selected for sumptuous decoration is the square vase
with pendulous body and two dragon handles figured on Plate 97; and
another is the arrow stand and square tube with deeply socketed stand
and railed border (Plate 118).
The pilgrim bottle supplies an effective model with a flattened
circular body, small neck and foot, and loops on the periphery to carry
a cord. These loops tended to disappear when the form had lost its
first significance and was only regarded as a vase.
The list of Imperial wares made in the reign of T’ung Chih includes
vases for divining rods of square form with low round neck and base,
ornamented with _pa kua_ designs in relief; vases with apricot
medallions and tubular handles like Fig. 1 of Plate 123. Other familiar
types are the bag-shaped vases with the mouth tied with silk, melon
and gourd forms, and the vase shaped like a double fish erect on its
tail or a single fish rising from waves.
To quote a few of the types named in the _T’ao shuo_[488]:--“For
holding flowers there are vases from two or three inches to five or
six feet high, round like a _hu_, round and swelling below like a
gallbladder (_tan_), round and with spreading mouth and contracted
below like a _tsun_, with flat sides and full angles like a ku, upright
like bamboo joints, square like a corn measure (_tou_), with contracted
mouth and flattened sides, with square and round flutings, and cut in
halves with flat backs for hanging on walls.”
Public-domain text, read in full here on John Shaqi.
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