Chinese pottery and porcelain; vol. 2. Ming and Ch'ing PorcelainHobson, R. L. (Robert Lockhart)
History
Chinese pottery and porcelain; vol. 2. Ming and Ch'ing Porcelain
Hobson, R. L. (Robert Lockhart)
Porcelain, Chinese; Pottery, Chinese
The king of beasts in China is the tiger (_hu_), whose forehead is
marked by Nature with the character _wang_ [chch] (prince). He is
the solar animal, the lord of the mountains, and the chief of all
quadrupeds. The white tiger represents the western quadrant and the
autumn; and images of tigers in ancient times served many purposes,
such as guarding the graves of the dead and summoning the living to
battle.
In addition to the sea monsters there are sea horses, who speed at a
flying gallop over waves; and there are the _pai ma_ and _lung ma_
and the eight horses of Mu Wang, already described, to represent the
horse in art. The deer is a Taoist emblem of longevity, and also in
its name _lu_ suggests the auspicious word _lu_ (preferment); and
there is a fabulous one-horned creature distinct from the _ch’i lin_,
and known as the _t’ien lu_ or deer of heaven. Rams are sometimes
represented as personifying the revivifying powers of spring; and the
monkey occasionally figures in decoration, his name _hou_ suggesting
another word _hou_, which means to expect (office), and providing
an appropriate design for presentation to a candidate in the State
examinations. Another motive suitable for the same purpose is the
fish leaping from waves, which has been already explained; and fish
in general are cleverly depicted by the porcelain decorators swimming
among water plants. The fish has always been a favourite motive in
China, and in ancient art it appears to have symbolised power and rank.
The double fish is one of the Buddhist emblems, and also symbolises
conjugal felicity. The tortoise has already been mentioned among the
emblems of longevity.
Birds are drawn with wonderful skill and spirit by Chinese artists,
and they provide a frequent motive both for the painter and figure
modeller. The crane is the companion of Shou Lao and a symbol of long
life; a pair of mandarin ducks suggest conjugal affection; egrets among
lotus plants, geese, and wild duck in marshy landscapes also pleased
the Chinese fancy. The magpie is an emblem of happiness, and two
magpies foretell a happy meeting; the cock is the bird of fame, and he
is often associated with the peony, which is the _fu kuei_ flower, to
suggest the phrase _kung ming_ (fame), _fu kuei_ (riches and honours!).
There are other birds which are associated with special trees and
flowers; the pheasant is often seen perched on a rock beside the peony
and magnolia; partridges and quails go with millet; swallows with
the willow; sparrows on the prunus, and so on. A comprehensive group
represents the “hundred birds” paying court to the phœnix.
Public-domain text, read in full here on John Shaqi.
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