Chinese pottery and porcelain; vol. 2. Ming and Ch'ing PorcelainHobson, R. L. (Robert Lockhart)
History
Chinese pottery and porcelain; vol. 2. Ming and Ch'ing Porcelain
Hobson, R. L. (Robert Lockhart)
Porcelain, Chinese; Pottery, Chinese
[63] Bushell (_T’ao shuo_, p. 142) gives the misleading version,
“bowls enamelled with jewels” and “jewel-enamelled bowls,” omitting in
his translation the note in the text which explains their true meaning
as _pao shih hung_ or ruby red.
[64] [chch 2] _ts’ao ch’ung_ can equally well mean “plants and
insects” or “grass insects,” i.e. grasshoppers. In fact, Julien
translated the phrase in the latter sense.
[65] _Chin hui tui_, lit. brocade ash-heaps.
[66] Not as Bushell (_T’ao shuo_, op. cit., p. 143), “medallions
of flower sprays and fruits painted on the four sides”; _ssŭ mien_
(lit. four sides) being a common phrase for “on all sides” does not
necessarily imply a quadrangular object.
[67] _Shih nü_, strangely rendered by Bushell “a party of young
girls.”
[68] The dragon boats raced on the rivers and were carried in
procession through the streets on the festival of the fifth day of the
fifth month. See J. J. M. de Groot, _Annales du Musée Guimet_,
vol. xi., p. 346. A design of children playing at dragon boat
processions is occasionally seen in later porcelain decoration.
[69] Cf. the favourite design of children under a pine-tree on Japanese
Hirado porcelain.
[70] Op. cit., figs. 38, 49, 55, 56, 63, 64, 65, 66 and 76.
[71] [chch 2] Bushell has translated it “diffused colours,” but _fu_ is
also used for “applying externally” in the medicinal sense, which seems
specially appropriate here.
[72] [chch 2], lit. “fill up (with) glaze,” the colour of the glaze
being specified in each case. Cf. _lan ti t’ien hua wu ts’ai_
(blue ground filled up with polychrome painting), a phrase used to
describe the decoration of the barrel-shaped garden seats of the Hsüan
Tê period. See p. 17.
[73] Fig. 63, a cup in form like the chicken cups (_chi kang_).
[74] [chch 2] _ch’i shang._
[75] Op. cit., Plate ii.
[76] See E. Dillon, _Porcelain_, Plate xviii.
[77] See E. Dillon, _Porcelain_, Plate vii.
[78] See _Cat, B. F. A._, 1910, H 21, I 7.
[79] [chch 2]
[80] [chch 2]
[81] [chch 2].
[82] [chch 2].
[83] Op. cit., No. 42.
[84] [chch], delicate, beautiful.
[85] [chch 2].
[86] [chch 2].
[87] Vol. ii., p. 277.
[88] See vol. i, p. 154.
[89] See p. 12.
[90] This account is quoted from the _Shih wu kan chu_, published
in 1591.
[91] See p. 12.
[92] See Hirth, _China and the Roman Orient_, p. 179.
[93] The converse is equally true, and Chinese porcelain of this kind
is frequently classed among Persian wares. Indeed, there are not a
few who would argue that these true porcelains of the hard-paste
type were actually made in Persia. No evidence has been produced to
support this wholly unnecessary theory beyond the facts which I have
mentioned in this passage, and the debated specimens which I have had
the opportunity to examine were all of a kind which no one trained
in Chinese ceramics could possibly mistake for anything but Chinese
porcelain.
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