Chinese pottery and porcelain; vol. 2. Ming and Ch'ing PorcelainHobson, R. L. (Robert Lockhart)
History
Chinese pottery and porcelain; vol. 2. Ming and Ch'ing Porcelain
Hobson, R. L. (Robert Lockhart)
Porcelain, Chinese; Pottery, Chinese
Borders inscribed [chch 4] _fu ju tung hai_ (happiness like the
eastern sea); and [chch 8] _fêng t’iao yü shun t’ien hsia t’ai p’ing_
(favouring winds and seasonable rain: great peace throughout the
empire).
“A symbolical head with hair dressed in four puffs”[153] bearing the
characters [chch 4] _yung pao ch’ang ch’un_ (ever insuring long spring).
Taoist deities holding the characters [chch 8] _wan ku ch’ang ch’un
ssŭ hai lai ch’ao_ (through myriads of ages long spring; tribute
coming from the four seas); or the same sentiment with _yung pao_ (ever
insuring) in place of _wan ku_.
Dragons in clouds holding the characters [chch 2] _shêng shou_, the
emperor’s birthday.
=Miscellaneous.=
Representations of ancient coins (_ku lao ch’ien_).
Landscapes (_shan shui_).
Necklaces (_ying lo_ [chch 2]).
Jewel mountains in the sea waves (_pao shan hai shui_). This
is, no doubt, the familiar border pattern of conventional waves with
conical rocks standing up at regular intervals.
Round medallions (_ho tzŭ_, lit. boxes) in brocade grounds.
Most of these designs are given under the heading of “blue and
white,” though, as in the Lung Ch’ing list, the blue is in many cases
supplemented by colour or by other forms of decoration such as patterns
engraved in the body (_an hua_), and “designs on a blue ground,” the
nature of them not explained, but no doubt similar to those described
on p. 61. The method of reserving the decoration in white in a blue
ground (_ch’ing ti pai hua_) is specifically mentioned under the
heading of “mixed decorations.” The supplementary decoration consists
of on-glaze enamels mixed with the underglaze blue; bowls with coloured
exterior and blue and white inside or vice versa; yellow grounds with
designs engraved under the glaze; gilded fishes among polychrome water
weeds, and other gilded patterns; curling waves in polychrome and plum
blossoms; red dragons in blue waves, the red either under or over the
glaze; relief designs (_ting chuang_[154]) and pierced work (_ling
lung_[155]).
The “mixed colours” included garden seats with lotus designs, etc.,
in polychrome (_wu ts’ai_) and with aubergine brown (_tzŭ_) lotus
decoration in a monochrome yellow ground; tea cups with dragons in
fairy flowers engraved under a yellow glaze; yellow ground with
polychrome (_wu ts’ai_) decoration; banquet dishes, white inside, the
outside decorated with dragons and clouds in red, green, yellow, and
aubergine.
Public-domain text, read in full here on John Shaqi.
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