Chinese pottery and porcelain; vol. 2. Ming and Ch'ing PorcelainHobson, R. L. (Robert Lockhart)
History
Chinese pottery and porcelain; vol. 2. Ming and Ch'ing Porcelain
Hobson, R. L. (Robert Lockhart)
Porcelain, Chinese; Pottery, Chinese
Fig. 1--Jar of Wan Li period, enamelled. Mark, a hare. Height 9
inches. _British Museum._ Fig. 2. Bowl with Eight Immortals
in relief, coloured glazes on the biscuit. Height 3¼ inches.
_Eumorfopoulos Collection._
Figs. 3, 4 and 5.--Blue and white porcelain, early seventeenth
century. Height of Fig. 5, 17 inches. _British Museum._]
[Illustration: Plate 83.--Vase
With blue and white decoration of rockery, phœnixes, and
flowering shrubs. Found in India. Late Ming period. Height 22
inches. _Halsey Collection._]
CHAPTER VI
THE TECHNIQUE OF THE MING PORCELAIN
Although the processes involved in the various kinds of decoration and
in the different wares have been discussed in their several places, a
short summary of those employed in the manufacture of the Ching-tê Chên
porcelain during the Ming period will be found convenient. The bulk of
the materials required were found in the surrounding districts, if not
actually in the Fou-liang Hsien. The best kaolin (or porcelain earth)
was mined in the Ma-ts’ang mountains until the end of the sixteenth
century, when the supply was exhausted and recourse was had to another
deposit at Wu-mên-t’o. The quality of the Wu-mên-t’o kaolin was
first-rate, but as the cost of transport was greater and the manager
of the Imperial factory refused to pay a proportionately higher price,
very little was obtained. The material for the large dragon bowls, and
presumably for the other vessels of abnormal size, was obtained from
Yü-kan and Wu-yüan and mixed with powdered stone (_shih mo_) from
the Hu-t’ien district. Other kaolins, brought from Po-yang Hsien and
the surrounding parts, were used by the private potters, not being
sufficiently fine for the Imperial wares.
The porcelain stone, which combined with the kaolin to form the two
principal ingredients of true porcelain, came from the neighbourhoods
of Yü-kan and Wu-yüan, where it was pounded and purified in mills
worked by the water power of the mountains, arriving at Ching-tê Chên
in the form of briquettes. Hence the name _petuntse_,[214] which,
like kaolin, has passed into our own language, and the term _shih
mo_ (powdered stone) used above.
Public-domain text, read in full here on John Shaqi.
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