Chinese pottery and porcelain; vol. 2. Ming and Ch'ing PorcelainHobson, R. L. (Robert Lockhart)
History
Chinese pottery and porcelain; vol. 2. Ming and Ch'ing Porcelain
Hobson, R. L. (Robert Lockhart)
Porcelain, Chinese; Pottery, Chinese
The Ming bowls vary considerably in form, from the wide-mouthed,
small-footed bowl (_p’ieh_) of the early period to the rounded forms,
such as Fig. 1 of Plate 74. In some cases the sides are moulded in
compartments, and the rims sharply everted. Others again are very
shallow, with hollow base and no foot rim; others follow the shape
of the Buddhist alms bowl with rounded sides and contracted mouth;
and there are large bowls for gold-fish (_yü kang_), usually with
straight sides slightly expanding towards the upper part and broad
flat rims, cisterns, hot-water bowls with double bottom and plug hole
beneath, square bowls (Plate 66, Fig. 1) for scraps and slops, and
large vessels, probably of punch-bowl form, known as “wine seas.” The
commonest type of Chinese dish is saucer-shaped, but they had also
flat plates bounded by straight sides and a narrow rim, which has no
relation to the broad, canted rim of the European plate constructed to
carry salt and condiments.
The Chinese use porcelain plaques for inlaying in furniture and
screens, or mounting as pictures, and there are, besides, many objects
of purely native design, such as barrel-shaped garden seats for summer
use, cool pillows, and hat stands with spherical top and tall, slender
stems. But it was only natural that when they began to cater for the
foreign market many foreign forms should have crept in, such as the
Persian ewer with pear-shaped body, long elegant handle and spout, the
latter usually joined to the neck by an ornamental stay: the hookah
bowl: weights with wide base and ball-shaped tops for keeping down
Indian mats, etc., when: spread on the ground; and at the end of the
Ming period a few European shapes, such as jugs and tankards. In the
Ch’ing dynasty European forms were made wholesale.
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Public-domain text, read in full here on John Shaqi.
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