Chips from a German Workshop, Volume 3: Essays on Literature, Biography, and AntiquitiesMüller, F. Max (Friedrich Max)
Religion
Chips from a German Workshop, Volume 3: Essays on Literature, Biography, and Antiquities
Müller, F. Max (Friedrich Max)
Comparative linguistics; Folklore; Literature -- History and criticism; Mythology; Religions
There is a third MS. which has lately been discovered. It belonged to M.
Brissart-Binet of Rheims, became known to M. Paulin Paris, and was lent to
M. de Wailly for his new edition of Joinville. It seems to be a copy of
the so-called MS. of Lucca, the MS. belonging to the Princess Antoinette
de Bourbon, and it is most likely the very copy which that Princess
ordered to be made for Louis Lasséré, canon of St. Martin of Tours who
published an abridgment of it in 1541. By a most fortunate accident it
supplies the passages from page 88 to 112, and from page 126 to 139, which
are wanting in the MS. of Lucca.
It must be admitted, therefore, that for an accurate study of the
historical growth of the French language, the work of Joinville is of less
importance than it would have been if it had been preserved in its
original orthography, and with all the grammatical peculiarities which
mark the French of the thirteenth and the beginning of the fourteenth
century. There may be no more than a distance of not quite a hundred years
between the original of Joinville and the earliest MS. which we possess.
But in those hundred years the French language did not remain stationary.
Even as late as the time of Montaigne, when French has assumed a far
greater literary steadiness, that writer complains of its constant change.
“I wrote my book,” he says in a memorable passage (“Essais,” liv. 3, c.
9)—
“For few people and for a few years. If it had been a subject that
ought to last, it should have been committed to a more stable
language (_Latin_). After the continual variation which has
followed our speech to the present day, who can hope that its
present form will be used fifty years hence? It glides from our
hands every day, and since I have lived it has been half changed.
We say that at present it is perfect, but every century says the
same of its own. I do not wish to hold it back, if it will fly
away and go on deteriorating as it does. It belongs to good and
useful writers to nail the language to themselves” (_de le clouer
à eux_).
Public-domain text, read in full here on John Shaqi.
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